Behind him were other people to ______ he was trying to talk.

class.

A. behind B. down

C. off D. away from

ss.

A. behind B. down

C. off D. away from

Two days is not enough for him to finish the work. He needs __________ day.

A: the other

B; a third

C; other

1.I know how busy you must be and ____________________ (我不想占用你太多时间). (take 2.Some groups still have difficulty ____________________ (获得社会服务). (access) 3.Until then did I realize that we were __________________________ (在这个方面落后). (in this respect) (key: lagging behind in this respect) 4.____________________ (实事求是地讲，他没有希望), but that didn’t stop him trying. (realistically) 5.The statistics show that____________________ (只有10%的美国人经常参加锻炼). (engage in)

A 11 physician, who was lying on his deathbed, was surrounded by several fellow physicians, who were weeping at his loss. When the 12 man observed it, he comforted them, by saying, "Don't weep, gentlemen, because I must die. It is not such a great loss to the world as you think, for I shall leave three great physicians behind me." Every one of them 13 that he was one of the three. So they pressed him very much, to tell them, who the well-known men were. "They are: Water, 14 and Temperance," he replied. One may easily imagine how surprised and disappointed they were, when they received this 15 answer. 在____11______处填上答案

shattering the blue dusk with green and crimson fire, he found the cafe of his choice, a tea-shop that had gone mad and turned Babylonian, a white palace with ten thousand lights. It towered above the older building like a citadel, which indeed it was, the outpost of a new age, perhaps a new civilization , perhaps a new barbarism; and behind the thin marble front were concrete and steel, just as behind the careless profusion of luxury were millions of pence, balanced to the last halfpenny. Somewhere in the background, hidden away, behind the ten thousands lights and acres of white napery and bewildering glittering rows of teapots, behind the thousand waitresses and cash-box girl and black-coated floor managers and temperamental long-haired violinists, behind the mounds of cauldron of stewed steak, the vanloads of ices, were of a few men who went to work juggling with fraction of farthing, who knew how many units of electricity it took to finish a steak-and-kidney pudding and how many minutes and seconds a waitress (five feet four in height and in average health) would need to carry a tray of given weight from the kitchen lift to the table in the far corner. In short, there was a warm, sensuous, vulgar life flowering in the upper storeys, and a cold science working in the basement. Such was the gigantic tea-shop into which Turgis marched, in search not of mere refreshment but of all the enchantment of unfamiliar luxury. Perhaps he knew in his heart that men have conquered half the known world, looted whole kingdoms, and never arrived in such luxury. The place was built for him.

It was built for a great many other people too, and, as usual, they were all there. It steamed with humanity. The marble entrance hall, piled dizzily with bonbons and cakes, was as crowed and bustling as a railway station. The gloom and grime of the streets, the raw air, all November, were at once left behind, forgotten: the atmosphere inside was golden, tropical, belonging to some high midsummer of confectionery. Disdaining the lifts, Turgis, once more excited by the sight, sound, and smell of it all, climbed the wild staircase until he reached his favourite floor, where an orchestra, led by a young Jewish violinist with wandering lustrous eyes and a passion for tremolo effects, acted as a magnet to a thousand girls. The door was swung open for him by a page; there burst, like a sugary bomb, the clatter of cups, the shrill chatter of white-and-vermilion girls, and, cleaving the golden, scented air, the sensuous clamour of the strings; and, as he stood hesitating a moment, half dazed, there came, bowing, a sleek grave man, older than he was and far more distinguished than he could ever hope to be, who murmured deferentially: "For one, sir？ This way, please. " Shyly, yet proudly, Turgis followed him.

That "behind the thin marble front were concrete and steel" suggests that______.

A．modern realistic commercialism existed behind the luxurious appearance

B．there was a fundamental falseness in the style. and the appeal of the caf6

C．the architect had made a sensible blend of old and new building materials

D．the cafe was based on physical foundations and real economic strength

If there is a problem with the product, the customer may ______.

A．have it repaired by others

B．send the product to others

C．ask the customer representation to say sorry to him

D．ask for a refund from the store

回答题。

When the sun started to set, Jim headedfor home. He had hunted long enough. Just then he saw there is, 30 feet in front of him, a wolf.

Jim looked around. There were other wolfs in the76.__________

woods in his right, who were waiting for their77.__________

leader move. The boy did not lift his gun. His78.__________

heart beaten like a drum (鼓). Jim walked on79.__________

with the leader wolf in front and others behind following him.80.__________

The leader wolf was full of the fright in back of Jim. Suddenly Jim81.__________

turned back and shot at the front wolf. Then the others82.__________

stopped short, and Jim started to ran. He looked back 83.__________

and saw the beasts stand around the dead body of84.__________

their leader. Without their leader, they wereso brave. 85.__________

第76题__________

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came along. There were buttons and button-holes, hooks and eyes, laces and buckles. They all took an irritatingly long time to do up, especially when men wore high-laced boots and fashionable ladies squeezed themselves into long corsets. Whitecomb L.Judson’s slide-fastener was an out-of-the-blue invention, and no one knows what gave him the idea. No one even knows much about him, except that he was a mechanical engineer living in Chicago and that he patented other inventions, to do with a street railway system and motor-cars. Judson invented the first zipper(called, at the time, a Clasp Locker or Unlocker)in 1891. This ingenious little device looks so simple, and the principle behind it is simple: one row of hooks and eyes slotting neatly into another row by means of a tab. Yet it took 22 years, many improvements and another inventor to make the zipper really practical.

The word "ingenious" means ()

A、clever

B、admirable

C、important

D、useful

shattering the blue dusk with green and crimson fire, he found the cafe of his choice, a tea-shop that had gone mad and turned Babylonian, a white palace with ten thousand lights. It towered above the older building like a citadel, which indeed it was, the outpost of a new age, perhaps a new civilization , perhaps a new barbarism; and behind the thin marble front were concrete and steel, just as behind the careless profusion of luxury were millions of pence, balanced to the last halfpenny. Somewhere in the background, hidden away, behind the ten thousands lights and acres of white napery and bewildering glittering rows of teapots, behind the thousand waitresses and cash-box girl and black-coated floor managers and temperamental long-haired violinists, behind the mounds of cauldron of stewed steak, the vanloads of ices, were of a few men who went to work juggling with fraction of farthing, who knew how many units of electricity it took to finish a steak-and-kidney pudding and how many minutes and seconds a waitress (five feet four in height and in average health) would need to carry a tray of given weight from the kitchen lift to the table in the far corner. In short, there was a warm, sensuous, vulgar life flowering in the upper storeys, and a cold science working in the basement. Such was the gigantic tea-shop into which Turgis marched, in search not of mere refreshment but of all the enchantment of unfamiliar luxury. Perhaps he knew in his heart that men have conquered half the known world, looted whole kingdoms, and never arrived in such luxury. The place was built for him.

It was built for a great many other people too, and, as usual, they were all there. It steamed with humanity. The marble entrance hall, piled dizzily with bonbons and cakes, was as crowed and bustling as a railway station. The gloom and grime of the streets, the raw air, all November, were at once left behind, forgotten: the atmosphere inside was golden, tropical, belonging to some high midsummer of confectionery. Disdaining the lifts, Turgis, once more excited by the sight, sound, and smell of it all, climbed the wild staircase until he reached his favourite floor, where an orchestra, led by a young Jewish violinist with wandering lustrous eyes and a passion for tremolo effects, acted as a magnet to a thousand girls. The door was swung open for him by a page; there burst, like a sugary bomb, the clatter of cups, the shrill chatter of white-and-vermilion girls, and, cleaving the golden, scented air, the sensuous clamour of the strings; and, as he stood hesitating a moment, half dazed, there came, bowing, a sleek grave man, older than he was and far more distinguished than he could ever hope to be, who murmured deferentially: "For one, sir？ This way, please. " Shyly, yet proudly, Turgis followed him.

That "behind the thin marble front were concrete and steel" suggests that______.

A．modern realistic commercialism existed behind the luxurious appearance

B．there was a fundamental falseness in the style. and the appeal of the caf6

C．the architect had made a sensible blend of old and new building materials

D．the cafe was based on physical foundations and real economic strength