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提问人:网友shweite307 发布时间:2022-01-06
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The art of living is to know when to hold fast and when to let go. For life is a paradox:

it enjoins us to cling to its ninny gifts even while it ordains their eventual relinquishment. The rabbies (犹太人的学者) of old put it this way: "A man comes to this world with his fist clenched, but when he dies, his hand is open."

Surely we ought to hold fast to life, for it is wondrous, and full of a beauty that breaks through every pore of God's own earth. We know that this is so, but all too often we recognize this truth only in our backward glance when we remember what was and then suddenly realize that it is no more.

We remember a beauty that faded, a love that waned. But we remember with far greater pain that we did not see that beauty when it flowered, that we failed to respond with love when it was tendered.

A recent experience re-taught me this truth. I was hospitalized following a severe heart attack and had been in intensive care for several days. It was not a pleasant place.

One morning, I had to have some additional tests. The required machines were located in a building at the opposite end of the hospital, so I had to be wheeled across the courtyard on a gurney.

As we emerged from our unit, the sunlight hit me. That's all there was to my experience. Just the light of the sun. And yet how beautiful it was—how warming, how sparkling, how brilliant!

I looked to see whether anyone else relished the sun's golden glow, but everyone was hurrying to and fro, most with eyes fixed on the ground. Then I remembered how often I, too, had been indifferent to the grandeur of each day, too preoccupied with petty and sometimes even mean concerns to respond to the splendor of it all.

The insight gleaned from that experience is really as commonplace as was the experience itself: life's gifts are precious—but we are too heedless of them.

Hem then is the first pole of life's paradoxical demands on us: Never too busy for the wonder and the awe of life. Be reverent before each dawning day. Embrace each hour. Seize each golden minute.

Hold fast to life... "but not so fast that you cannot let go." This is the second side of life's coin, the opposite pole of its paradox we must accept our losses, and learn how to let go. This is not an easy lesson to learn, especially when we are young and think that the world is ours to command, that whatever we desire with the fun force of our passionate being can, nay, will, be ours. But then life moves along to confront us with realities, and slowly but surely this second troth dawns upon us.

At every stage of life we sustain losses and grow in the process. We begin our independent lives only when we emerge from the womb and lose its protective shelter. We enter a progression of schools, then we leave our mothers and fathers and our childhood homes. We get married and have children and then have to let them go. We confront the death of our parents and our spouses. We face the gradual or not so gradual waning of our own strength. And ultimately, as the parable of the open and closed hand suggests, we must confront the inevitability of our own demise, losing ourselves as it were, all that we were or dreamed to he.

But why should we be reconciled to life's contradictory demands? Why fashion of beauty when beauty is evanescent? Why give our heart in love when those we love will ultimately be tom from our grasp?

In order to resolve this paradox, we must seek a wider perspective, viewing our lives as through windows that open on eternity. Once we do that, we realize that though our lives are finite, our deeds on earth weave a timeless pattern.

Life is never just being. It is becoming a relentless flowing on. Our parents live on through us, and we will live on through our children. The institutions we build endure, and we will endure through them. The beauty we fashion cannot be dimmed by death.

A.to learn to deal with the losses we suffer in life

B.to learn that death is unavoidable

C.to learn to face a variety of deaths

D.to learn to get accustomed to the pattern of life, departure and death

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更多“The art of living is to know when to hold fast and when to let go. For life is a paradox:”相关的问题
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Jimmy earns his living by ______ works of art in the museum.A.recoveringB.restoringC.renew

Jimmy earns his living by ______ works of art in the museum.

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B.restoring

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第2题
Jimmy earns his living by works of art in the museum.A.renewingB.revivingC.recoveringD.res

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A.renewing

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第3题
Jimmy earns his living by ______ works of art in the museum.[2004]A.recoveringB.restoringC

Jimmy earns his living by ______ works of art in the museum.[2004]

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第4题
Jimmy earns his living by ______ works of art in the museum.A.recoveringB.restoringC.renew

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第5题
Etiquette as an art of gracious living is quoted as a feature of which country?A.EgyptB.18

Etiquette as an art of gracious living is quoted as a feature of which country?

A.Egypt

B.18th century France

C.Renaissance Italy

D.England

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第6题
1. In author's opinion, the art of living is to know when to hold fast and when to let go.
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第7题
Many artists find it hard to a living from art alone.A.doB.makeC.haveD.take

Many artists find it hard to a living from art alone.

A.do

B.make

C.have

D.take

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第8题
Etiquette cultivated as art of gracious livingA.has been typical of rich and leisured soci

Etiquette cultivated as art of gracious living

A.has been typical of rich and leisured societies.

B.advocates that women are the same as men.

C.began in nineteenth-century Provence.

D.looks down on extremely refined behaviour.

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第9题
Which of the following is true according to the text?A.People attached importance to moder

Which of the following is true according to the text?

A.People attached importance to modern Indian art long before the end of 1980s.

B.Rich Indians, particularly those living abroad, had a strong passion for modern Indian art for ages.

C.Prices at the 'emerging market of modern art had been climbing and then declining.

D.Rich Indians did not show interest in modern Indian art until the end of the 1990s.

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第10题
Extremely refined behavior, however, cultivated as an art of gracious living, has been cha
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A.possible

B.typicai

C.interesting

D.morally good

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