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Every director needs ______ (一个他可以倚赖的助手来料理) the problem that may occur during his absence.
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A．count on
B．count for
C．count down
D．count out
A．count of
B．count for
C．count on
D．account for
Every director needs an assistant that he can __________ to take care of problems that may occur in his absence.
A.count of
B.count for
C.count on
D.account for
The charity group Plan International says 600 million Asian children are deprived of one of the seven basic needs used to define poverty, including food, safe water, shelter, health and education. And it says 350 million children, equivalent to the population of the European Union, are deprived of two or more basic needs, classifying them as absolutely poor.
The group's executive director, Tom Miller, compares these figures to those of the victims from the earthquake and tsunami that devastated parts of southern Asia eight months ago. "Those numbers are absolutely staggering. The world has focused very much on Asia through the tsunami. But in many ways, what we're talking about is, this is a silent tsunami that is happening every single day."
The group, basing its figures on United Nations statistics, says some Asian countries, like China and parts of Southeast Asia, have considerably reduced their numbers of poor children. But it says significant populations of poor people remain in isolated rural areas and among ethnic minorities.
According to the news, which of the following is not among the basic needs used to define poverty？
A．food
B．health
C．education
D．freedom
A．enthusiastic
B．enthusiastically
C．enthusiasm
D．enthusiast
A．diverse
B．distinctive
C．distinct
D．distinguished
The research team needs to confer with the director before it begins its final report.
A．argue
B．debate
C．compute
D．consult
A.international advisor
B.teacher
C.department director
D.classmates
1 A magazine's design is more than decoration, more than simple packaging. It expresses the magazine's very character. The Atlantic Monthly has long attempted to provide a design environment in which two disparate traditions - literary and journalistic - can co-exist in pleasurable dignity. The redesign that we introduce with this issue - the work of our art director, Judy Garlan - represents, we think, a notable enhancement of that environment.
2 Garlan explains some of what was in her mind as she began to create the new design:"I saw this as an opportunity to bring the look closer to matching the elegance and power of the writing which the magazine is known for. The overall design has to be able to encompass a great diversity of styles and subjects - urgent pieces of reporting, serious essays, lighter pieces, lifestyle-oriented pieces, short stories, poetry. We don't want lighter pieces to seem too heavy, and we don't want heavier pieces to seem too pretty. We also use a broad range of art and photography, and the design has to work well with that, too. At the same time, the magazine needs to have a consistent feel, needs to underscore the sense that everything in it is part of one Atlantic world. "
3 The primary typefaces Garlan chose for this task are Times Roman, for a more readable body type, and Bauer Bodoni, for a more stylish and flexible display type (article titles, large initials, and so on). Other aspects of the new design are structural. The articles in the front of the magazine, which once flowed into one another, now stand on their own, to gain prominence. The travel column, now featured in every issue, has been moved from the back to the front. As noted in this space last month, the word "Monthly" rejoins "The Atlantic" on the cover, after a decade-long absence.
4 Judy Garlan came to the Atlantic in 1981 after having served as the art director of several other magazines. During her tenure here The Atlantic has won more than 300 awards for visual excellence, from the society of illustrators, the American Institute of Graphic Arts, the Art Directors Club, Communication Arts, and elsewhere. Garlan was in various
ways assisted in the redesign by the entire art-department staff. Robin Gilmore, Betsy Urrico, Gillian Kahn, and Lisa Manning.
5 The artist Nicholas Gaetano contributed as well. he redrew our colophon (the figure of Neptune that appears on the contents page) and created the symbols that will appear regularly on this page (a rendition of our building), on the Puzzler page, above the opening of letters, and on the masthead. Gaetano, whose work manages to combine stylish clarity and breezy strength, is the cover artist of this issue.
Part of the new design is to be concerned with the following EXCEPT
A．variation in the typefaces.
B．reorganization of articles in the front.
C．creation of the travel column.
D．reinstatement of its former name.
The director required that every member in his department (refer) ______ to his report.
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