Aesthetic thought of a distinctively modern art em...

第1题

Zhuxi thought Confucius has attained the boundary of an intuited aesthetic realm. （time:5:58)

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第2题

Which of the following is NOT what Hegel believed？A．The content and form. of the work of a

Which of the following is NOT what Hegel believed？

A．The content and form. of the work of art cannot be separated from each other.

B．The content of the work of art is always the true Object of aesthetic interest.

C．The content presented without any individuality is not the content of the work of art.

D．The content understood by means of a process of discursive thought is no more than a husk.

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第3题

Which of the following is NOT what Hegel believed？A．The content and form. of the work of a

Which of the following is NOT what Hegel believed？

A．The content and form. of the work of art cannot be separated from each other.

B．The content of the work of art is always the true object of aesthetic interest.

C．The content presented without any individuality is not the content of the work of art.

D．The content understood by means of a process of discursive thought is no more than a husk.

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第4题

Aesthetic thought of a distinctively modem bent emerged during the 18th century. The weste

rn philosophers of this time devoted much attention to such matters 【C1】______ natural beauty and representation. 【C2】______ that time, however, the philosophy of art has become ever more 【C3】______ and has begun to 【C4】______ the philosophy of nature. Various issues 【C5】______ to the philosophy of art have had a 【C6】______ impact 【C7】______ the orientation of 20th century aesthetics. 【C8】______ among these are problems relating to the theory of art as form. and 【C9】______ the distinction between representation end expression. Still another question has to do with the value of art. Two opposing theoretical positions 【C10】______ on this issue: one holds that art and its appreciation are a means to some recognized moral good, 【C11】______ the other maintains that art is intrinsically valuable end is an end in itself. Underlying this whole issue is the concept of taste. In recent years there has also been an increasing 【C12】______ with art as the prime object of critical judgment. Corresponding to the trend in contemporary aesthetic thought, 【C13】______ have followed 【C14】______ of two approaches. In one, criticism is restricted to the analysis end interpretation of the work of art. 【C15】______ , it is devoted to articulating the response to the aesthetic object and to 【C16】______ a particular way of perceiving it.

Over the years, aesthetics has developed into a broad field of knowledge end inquiry. The concerns of contemporary aesthetics include such 【C17】______ problems as the nature of style. and its aesthetic significance; the relation of aesthetic judgment to culture; the 【C18】______ of a history of art; the 【C19】______ of Freudian psychology and other forms of psychological study to criticism; and the place of aesthetic judgment in practical 【C20】______ in the conduct of everyday affairs.

【C1】

A．for

B．as

C．to

D．with

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第5题

Aesthetic thought of a distinctively modern bent emerged during the 18th century. The west

ern philosophers and critics of this time devoted much attention to such matters【C1】______ natural beauty, the sub-lime, and representation -- a trend【C2】______ the central position they had given to the philosophy of nature.【C3】______ that time, however, the philosophy of art has become more【C4】______ than ever and has begun to【C5】______ the philosophy of nature. Various issues【C6】______ to the philosophy of art have had a marked impac【C7】______ the orientation of 20th-century aesthetics.【C8】______ among these are problems relating to the theory of art as from and to the【C9】______ between representation and expression. Still another far-reaching question has to do with the value of art. Two op- posing theoretical positions【C10】______ on this issue: one holds that art and its appreciation are a means to some recognized moral good,【C11】______ the other maintains that art is intrinsically valuable and is an end in itself. Underlying this whole issue is the concept of taste, one of the basic concerns of aesthetics. In recent years there has also been an increasing 【C12】______ with art as the prime object of critical judgment.【C13】______ to the trend in contemporary aesthetic thought, critics have followed【C14】______ of two approaches. In one, criticism is restricted to the analysis and interpretation of the work of art.【C15】______ , it is devoted to articulating the response to the aesthetic object and to 【C16】______ a particular way of perceiving it. Over the years, aesthetics has developed into a broad field of knowledge and inquiry. The concerns of contemporary aesthetics include such【C17】______ problems as the nature of style. and its aesthetic significance; the relation of aesthetic judgment to cultures the 【C18】______ of a history of art; the【C19】______ of Freudian psychology and other forms of psychological study to criticisms and the place of aesthetic judgment in practical【C20】______ in the conduct of everyday affairs.

【C1】

A．for

B．as

C．to

D．with

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第6题

Myths and legends of the supernatural shroud the early history of writing,as they do of sp

Myths and legends of the supernatural shroud the early history of writing,

as they do of speech. Archaeological discoveries provide charming pinholes of

illumination along with frustrated problems of interpretation. An account of the 【S1】______.

early history of writing has gradually emerged, but it keeps many gaps and 【S2】______.

ambiguities.

The matter is complicated by the fact that, in this early period, it is by

no means easy to decide whether a piece of graphic expression should be

counted as an artistic imagination or as a symbol of primitive writing. In 【S3】______.

principle, the difference is clear: the first conveys personal and subjective 【S4】______.

meanings, and does not combine into a system of recurring symbols with

accepted values; by contrast, the latter is conventional and institutionalized,

capable of been understood in the same way by all who are using the system. 【S5】______.

When the product is a rock carving or painting of an animal, there is a little 【S6】______.

doubt that its purpose is nonlinguistic (thought whether it has an aesthetic,

religious, or other function is debatable). However, when the product is a

series of apparent geometrical shapes or tiny characters, the distinction

between art and writing becomes more obvious. The language may even reflect 【S7】______.

the problem: in early Greek, and in Egyptian, the same word was used for

both "write" and "draw". One point, at least, is fairly clear. It now seems

most likely that writing system revolved independently of each other at 【S8】______.

different times in several parts of the world -- in Mesopotamia, China, Meso-

America, and elsewhere. There is anything to support a theory of common 【S9】______.

origin. There are of course similarities between these systems, but these are

not altogether surprising, giving the limited ways of devising a system of 【S10】______.

written communication.

【S1】

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第7题

Passage Most of the big shore places were closed now and there were hardly any lights exc

ept the shadowy , moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors eyes-a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into all aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. And as I sat there brooding on the old, unknown world, I thought of Gatsby s wonder when he first picked out the green light at the end of Daisy s dock. He had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night. Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that s no matter-tomorrow we will run faster, stretch out our arms farther And one fine morning— So we beat on, boats against the current, borne back ceaselessly in to the past. Questions:

Which fiction is this excerpt from？ Who is the author of the novel？

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第8题

Oscar Wilde was particularly well known for his role in the aesthetic and decadent movements.

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第9题

Cosmetic surgery is focused on enhancing appearance, which aims at improving aesthetic appeal, symmetry and proportion.

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Aesthetic thought of a distinctively modern art emerged during the 18th century. The weste