题目内容
（请给出正确答案）
All ______ is a continuous supply of fuel.
A．what is needed
B．the thing needed
C．that is needed
D．for their needs
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更多“All ______ is a continuous supply of fuel.A．what is neededB．the thing neededC．that is need”相关的问题
European cities take all the following measures EXCEPT
A．parking restriction.
B．traffic control.
C．traffic fine.
D．traffic toll.
What is jurisdiction by designation？
A.The jurisdiction agreed by the parties in their contract to hear their disputes
B.The jurisdiction authorised by the people’s court at a higher level to try cases of first instance
C.The jurisdiction decided by people’s courts at the same level, if all these courts have jurisdiction over a particular case
D.The jurisdiction decided in accordance with the location of the subject matter
SUNDAY
March 5 (continued)
8:00p.m
2, 11 CHIPS A woman and her two unruly sons plot to steal an armored car. 4 ARCHIE BUNKER'S PLACE Archie joins a group of parents who are out to ban a Sex education class at Stephanie's school.
5 THE TAMING OF THE SHREW William Shakespeare's classic play-within-aplay, telling of the onstage and offstage battles between an actor (Leo Cariou) and his leading ladies (Sharry Feltt ,Lynne Criffin.), is presented from the Stratford Festival in Ontario; ballerina Veronica tenant hosts the presentation.
7 TODAY'S FBI An agent who has gone undercover as a construction worker becomes a target for murder.
9 BEST OF THE WEST Sam spends a night handcuffed to pretty cattle in a lonely miner's shack.
17 NOVA "The Asteroid and the Dinosaur" A radical theory as to why the dinosaurs died out after 150 million years of successful dominance is examined.
29 700 CLUB Donna summer, the queen of pop rock, speaks openly of her private life.
8:30 p.m.
2, 11 CHIPS (CONT'D)
4 ONE DAY AT A TIME shocking news changes Barbara's attitude and possibly her life.
5 TAMING OF THE SHREW (CONT'D)
7 TODAY'S FBI
9 GIMME A BREAK
17 NOVA (CONT'D)
29 700 CLUB (CONT'D)
9:00 p.m
2 His Daughter Is Bit! CAPTURE OF GRIZZLY ADMAMS!
MOVIE* * * "The Capture of Grizzly Adams"(1981 ) Dan Haggerty, Kim Darby. Grizzly Adams comes out of his wilderness hideaway when he hears that his ten-year-old daughter is going to be sent to an orphanage.
4 ALICE Vera convinces Mel to leave her in charge of the diner during his short absence.
5 TAMING OF THE SHREW (CONT'D)
7,9 MOVIE*** "...and Justice for All"(1979) AI Pacino, Jack Warden. An idealistic lawuer has trouble coping with the insanity of the American judicial system.
11 WAYNE Thomas Guests: Skylark, Roger Truman.
17 MASTERPIECE THEATER "I Remember Nelson: Love" Fanny (Anna Messy) remains in love with her husband, Admiral Lord Nelson (Ken Colly). Despite rumors of his affair with Lady Hamilton.
(Part 1)
29 700 CLUB Help your child become more self-sufficient; meet Hollis, formerly with the TV series "Soul Train".
9:30p.m
2,4,9 MOVIE (CONT'D)
4 THE JEFFERSONS Louise disapproves of George's plan to protect his home and family.
5 TAMING OF THE SHREW (CONT'D)
17 MASTERPIECE THEATER (CONT'D)
29 700 CLUB (CONT'D)
"The Taming of the Shrew" is shown ______.
A．from 8:00 to 10:00
B．at 8:00
C．at 8:30
D．at 9:30
A．该事件过程用来建立一个Open对话框，可以在这个对话框中选择要打开的文件
B．选择后单击“打开”按钮，所选择的文件名即作为对话框的FileName属性值
C．Open对话框不仅仅用来选择一个文件，还可以打开、显示文件
D．过程中“Cont．Action=1”用来建立 Open对话框，它与Cont．ShowOpen等价
Private Sub Command1_Click（）
Cont.FileName= ""
Cont.Flags=vbOFNFileMustExist
Cont.Filter= "All Files|*.*"
Cont.FilterIndex=3
Cont.DialogTitle= "Open File"
Co nt.Action=1
If Cont.FileName= "" Then
MsgBox "No file selected"
Else
Open Cont.FileName For Input As #1
Do While Not EOF（1）
Input #1, b$
Print b$
Loop
End If
End Sub
以下各选项，对上述事件过程描述错误的是（）。
A．该事件过程用来建立一个Open对话框，可以在这个对话框中选择要打开的文件
B．选择后单击"打开"按钮，所选择的文件名即作为对话框的FileName属性值
C．Open对话框不仅仅用来选择一个文件，还可以打开、显示文件
D．过程中的"Cont.Action=1"用来建立Open对话框，它与Cont.ShowOpen等价
SECTION 3
Directions: Each passage in this group is followed by questions based on its content. After reading a passage, choose the best answer to each question. Answer all questions following a passage on the basis of what is stated or implied in the passage.
Trends toward reform. highlight the international appeal of decentralization,
but the realities of educational and social inequity remain the same or worsen
even when such reforms are put into place, especially in the ways in which
Line educational quality is being defined. A major question remains: if education
(5) continues to be ineffective in achieving greater social good, what role has the
dialectic between global and local to play in the eminent failure of education for
social transformation？ All too often the work of sociologists criticizes the
hegemony of the globalizing idea and its relationship to local forms of belief and
practice, while blithely assuming that the indigenous challenge and respond to
(10) the external meta-narrative but retain a fundamental innocence with respect to
that narrative. I argue that instead cultures, nations, and societies utilize the
global theme to further reinforce and create new categories of the exotic and the
other-even within their own borders-to support internally generated and
maintained inequities.
The primary purpose of the passage is to
A．build a case for increasing efforts to improve educational quality in indigenous societies
B．advocate an alternative to the explanation that the inequity of indigenous societies has resulted from outside forces
C．explain the failure of educational reforms in increasing the international appeal of decentralization of global authority
D．suggest the type of response to globalization that would help create social equity in indigenous societies
E．argue against the definition of globalization currently advocated by sociologists
SECTION 3
Directions: Each passage in this group is followed by questions based on its content. After reading a passage, choose the best answer to each question. Answer all questions following a passage on the basis of what is stated or implied in the passage.
Through the very symbolism of popular culture that molded, defined and
contained women in their role as the subservient half of society, the artist
Alexis Hunter used the techniques of advertising to subvert and question these
Line hitherto accepted norms. Full of irony and piquant wit, her art centered on
(5) subverting the male-dominated atmosphere now all but vanished in the visual
arts-a fact evidenced by the current prominence of fellow feminist Judy
Chicago-and critics rejected this early work for fear of its inner suppressed
violence. In the early 1980s Hunter withdrew, like many of her
contemporaries, from such an overtly political forum, partly due to doubts about
(10) the efficacy of didactic political art to execute change outside the liberal
chattering classes, and partly because of her awakening interest in psychology
and psychoanalysis and the desire for greater self-expression. In a decade where
it seemed possible to begin to take for granted certain social freedoms for
women, it became more important to examine deeper, more irrational fears. In
(15) abandoning the project of defining women's identities for male audiences, the
aim of new feminist art suddenly became the production of a concept of women
that women themselves might consume.
According to the passage, feminist art-production in the 1980's was typified by which of the following？
A．an open liberality toward social freedoms
B．a rejection of openly political art
C．a male-dominated perspective
D．less effective didactic art
E．more irrational fears than in art of previous decades
SECTION 3
Directions: Each passage in this group is followed by questions based on its content. After reading a passage, choose the best answer to each question. Answer all questions following a passage on the basis of what is stated or implied in the passage.
Scientists have long sought the reasons for the relatively young age of the
majority of Martian meteorites discovered on Earth in comparison with the age
of Mars, an enigma exarcebated by the fact that the Martian rocks were ejected
Line by only six or seven separate impact events. Previous tests had predicted that
(5) driving meteorites to Earth would require a collision with an asteroid immense
enough to make a crater 12-kilometers across, but because such huge impacts
are extremely infrequent, it was unlikely that enough of them could have
occurred to explain our planet's Martian meteorite collection.
Now astronomer James Head's higher-resolution models demonstrate that
(10) collisions making craters only three kilometers across can jettison 10 million
fragments, each about 10 centimeters across, into space, a distribution
sufficient to cause some of them to be found on Earth. Sections of the planet
covered by debris (thus likely to be made up of older terrain) would require
larger and hence rarer impacts, and thus meteorites which reach Earth are
(15) predictably biased toward younger ages.
The passage is primarily concerned with
A．presenting an argument to support a particular hypothesis
B．suggesting an answer to a theoretical question
C．questioning the assumptions of a research project
D．criticizing experimental results
E．explaining the origin of certain scientific data
A.Three
B.Four
C.Five
D.Six
SECTION 3
Directions: Each passage in this group is followed by questions based on its content. After reading a passage, choose the best answer to each question. Answer all questions following a passage on the basis of what is stated or implied in the passage.
Feminist critics have often pondered whether a postmodern language may
be articulated that obviates the essentialist arrogance of much modernist and
some feminist discourse and does not reduce feminism to silences or a purely
Line negative and reactionary stance. This ideal may be actualized in a discourse that
(5) recognizes itself as historically situated, as motivated by values and, thus,
political interests, and as a human practice without transcendent justification.
The author Dorothy Allison meets these criteria by focusing on women who have
been marginalized by totalizing forces and ideas, while simultaneously
reminding the reader, through the wide range of women that she portrays and
(10) their culpability in her protagonists' predicaments, that unlike pure and
transcendent heroes, women are real characters and morally complex. Allison
insists that humans are burdened with the responsibility of fashioning their own
stories, quotidian as they may be, and while these will never offer the solace of
transcendent justification, the constant negotiation between the word and the
(15) world avoids reticence on the one hand and the purely negative on the other.
It can be inferred from the passage that the author views the transcendent justification through literature as a concept that
A．derives from a negative stance toward feminism
B．predates the birth of postmodernism as a literary movement
C．encourages writers to tell humdrum stories
D．limits the construction of morally complex characters
E．contributes to the politicization and historical orientation of texts
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