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提问人:网友cj821204 发布时间:2022-01-06
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The postwar American housing style. largely reflected the Americans'______.A.prosperity an

The postwar American housing style. largely reflected the Americans'______.

A.prosperity and growth

B.efficiency and practicality

C.restraint and confidence

D.pride and faithfulness

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更多“The postwar American housing style. largely reflected the Americans'______.A.prosperity an”相关的问题
第1题
What were the three cornerstones of American postwar economic boom?

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第2题
What were the three cornerstones of American postw

ar economic boom?英语国家概况简答题

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第3题
What brought the change from Modernism to Postmodernism in postwar American literature?

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第4题
American writers of the first postwar era self-consciously acknowledged that they were a "
______" , devoid of faith and alienated from a civilization.

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第5题
For the least. American roots are no longer an easy selling point. Through much of the pos
twar period, US brands could play off this cachet; Levi's ad campaigns used wholesome themes of boy-meets-girl in a heartland American setting until the early 1990s.

A.At least

B.At the least

C.At most

D.At the most

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第6题
WWI had greatly shaken the faith of European and American writers in Western civilizat
ion. Which might NOT be one of their doubts?

A.The ability of the intellectuals to create new art forms.

B.The adequacy of traditional literature to represent the postwar realities.

C.The sound moral basis to recapture the past glory.

D.The human capability to restore the world order.

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第7题
We tend to think of the decades immediately following World War II as a time of prosperity
and growth, with soldiers returning home by the millions, going off to college on the G. I. Bill and lining up at the marriage bureaus.

But when it came to their houses, it was a time of common sense and a belief that less could truly be more. During the Depression and the war, Americans had learned to live with less, and that restraint, in combination with the postwar confidence in the future, made small, efficient housing positively stylish.

Economic condition was only a stimulus for the trend toward efficient living. The phrase " less is more" was actually first popularized by a German, the architect Ludwig Mies van der Rohe, who like other people associated with the Bauhaus, a school of design, emigrated to the United States before World War II and took up posts at American architecture schools. These designers came to exert enormous influence on the course of American architecture, but none more so that Mies.

Mies's signature phrase means that less decoration, properly organized, has more impact than a lot. Elegance, he believed, did not derive from abundance. Like other modern architects, he employed metal, glass and laminated wood—materials that we take for granted today buy that in the 1940s symbolized the future. Mies's sophisticated presentation masked the fact that the spaces he designed were small and efficient, rather than big and often empty.

The apartments in the elegant towers Mies built on Chicago's Lake Shore Drive, for example, were smaller—two-bedroom units under 1, 000 square feet—than those in their older neighbors along the city's Gold Coast. But they were popular because of their airy glass walls, the views they afforded and the elegance of the buildings' details and proportions, the architectural equivalent of the abstract art so popular at the time.

The trend toward "less" was not entirely foreign. In the 1930s Frank Lloyd Wright started building more modest and efficient houses—usually around 1, 200 square feet—than the spreading two-story ones he had designed in the 1890s and the early 20th century.

The " Case Study Houses" commissioned from talented modern architects by California Arts & Architecture magazine between 1945 and 1962 were yet another homegrown influence on the "less is more" trend. Aesthetic effect came from the landscape, new materials and forthright detailing. In his Case Study House, Ralph Rapson may have mispredicted just how the mechanical revolution would impact everyday life—few American families acquired helicopters, though most eventually got clothes dryers—but his belief that self-sufficiency was both desirable and inevitable was widely shared.

The postwar American housing style. largely reflected the Americans'_________.

A.prosperity and growth

B.efficiency and practicality

C.restraint and confidence

D.pride and faithfulness

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第8题
When Franklin D. Roosevelt was elected President of the United States in 1932, not only the United S
tates but also the rest of the world was in the throes of an economic depression. Following the termination of World War I, Britain and the United States at first experienced a boom in industry. Called the Roaring Twenties, the 1920s ushered in a number of things - prosperity, greater equality for women in the work world, rising consumption, and easy credit. The outlook for American business was rosy.

October 1929 was a month that had catastrophic economic reverberations worldwide. The American stock market witnessed the "Great Crash", as it is called, and the temporary boom in the American economy came to a standstill. Stock prices sank, and panic spread. The ensuing unemployment figure soared to 12 million by 1932.

Germany in the postwar years suffered from burdensome compensation it was obliged to pay to the Allies. The country's industrial capacity had been greatly diminished by the war. Inflation, political instability, and high unemployment were factors helpful to the growth of the initial Nazi party. Germans had lost confidence in their old leaders and heralded the arrival of a messiah-like figure who would lead them out of their economic wilderness. Hitler promised jobs and, once elected, kept his promise by providing employment in the party, in the newly expanded army, and in munitions factories.

Roosevelt was elected because he promised a "New Deal" to lift the United States out of the doldrums of the depression. Following the principles advocated by Keynes, a British economist, Roosevelt collected the spending capacities of the federal government to provide welfare, work, and agricultural aid to the millions of down-and-out Americans. Elected President for four terms because of his innovative policies, Roosevelt succeeded in dragging the nation out of the depression before the outbreak of World War II.

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第9题
听力原文: Cannes Film Festival, the most prestigious motion-picture festival in the world,
is held each May in the city of Cannes, in southeast France. The Cannes Film Festival was conceived at the end of 1938. Due to World War Ⅱ, however, the first Cannes Film Festival was not held until 1946. Internationalism and postwar optimism characterized the first festival, as organizers placed less emphasis on competition than on mutual creative stimulation between national productions. In later years the selection of entries for prizes reflected more commercial interests and the festival soon acquired its current reputation as a fashionable professional event, more concerned with advancing the film industry than the art of film. French director Francois Truffaut addressed this issue in 1956 and predicted its commercial death. The festival survived, however, and in 1959, Truffaut himself was awarded the prize for best screenplay for one of his films.

Despite its ever-present financial interests, the Cannes Film Festival remains an essential affair for international cinema. In 1955 the organizing committee at Cannes introduced the Golden Palm Award (in English) for best film of the festival, now regarded as one of the film industry's most distinguished prizes. Past recipients of the award include Taxi Driver (1976), by American director Martin Scorsese; and The Piano (1993), by New Zealand director Jane Campion.

(30)

A.In 1938.

B.In 1946.

C.In 1955.

D.During World War Ⅱ.

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