Edouard Manet's Races in the Bois de Boulogne is similar to Picasso's works in all the fol
A.vigor.
B.authority.
C.harmony in the color scheme.
D.the same nigh price.
A.vigor.
B.authority.
C.harmony in the color scheme.
D.the same nigh price.
A.vigor.
B.authority.
C.harmony in the color scheme.
D.the same high price.
Picasso's "Garcon à la Pipe" (Boy With a Pipe), painted in 1905, shot up to $104.1 million at Sotheby's during a protracted bidding match over the telephone. That is nearly twice the previous record for the artist: the $55 million paid for "La Femme aux Bras Croisés" at Christie's New York in November 2000.
The huge figure reflects the double iconic value that the portrait derived from its mastery and from the aura of its owners, the very patrician Whitneys. The portrait is perhaps the artist's ultimate achievement. Constantly hailed as the giant of modem art, Picasso was probably at his greatest when working under the spell of Old Masters. The rigorous composition, the color balance and the profound psychological probe of the young sitter place the likeness in a category that begins with Italian Renaissance portraitists and continues tight through the 19th century with Corot and Degas.
Bought by Whitney in 1950, the painting was seen at distant intervals in major exhibitions dealing with the artist, from the 1967 Grand Palais retrospective in Paris to the 1996 portrait show at the Museum of Modern Art in New York. The portrait was thus both famous in art history and forgotten. This maximized its impact.
Not least, "Garcon à la Pipe" epitomized the taste of connoisseurs of the old school who bought on the strength of their convictions, not on advice. They collected for the sake of the art, neither for investment—they were already rich—nor to achieve social status, which they had by birth. In short, the Whitney sale marked the end of an era when the old cultivated elite of the Western world dominated the art market.
Buyers sensed the unique character of the occasion. They responded to pictures that played each other up, linked by affinities that went beyond style. or school.
Edouard Manet's "Les Courses au Bois de Boulogne" (Races in the Bois de Boulogne) is as important regarding the Impressionist's painting as "Garcon" is within Picasso's oeuvre. The complex composition worthy of 17th-century masters is combined with a sketchiness in much of the detail that already heralds the march toward Abstractionism.
The forward thrust of the horses in the foreground and the tense postures of their riders give the picture a vigor and an authority it shares with the Picasso. And like Picasso's portrait, it owes a soothing harmony to its color balance. The Manet brought $26.3 million—a figure deemed disappointing by some only because market prices are at an all-time high.
The same combination of boldness in composition and harmony in the color scheme can again be detected in Claude Monet's "Bateaux Sur le Galet" (Boats on the Strand), painted in 1004. Here too the work is unusual. The thrust of the Brush strokes that define the boats and the close-up view of hulls that seem to burst out of the space in which they are lodged create an Expressionist effect. At $4.46 million, the rare masterpiece was worth every peony of it.
With remarkable consistency, Whitney sought and found similar characteristics in the work of artists that seemed least likely to display them. Odilon Redon's admirable still life of flowers in a vase seems compressed in a space too small to contain it. Painted in oil rather than drawn in pastel, the still life has a brilliance in its color harmony that is quite unusual. Curiously, "Fleurs Dans un Vase Vert" cost a comparatively moderate $1.68 million. It was not obvious enough in the context of that evening's sale.
The collector's versatility where style, school and period were concerned was exceptional. He apparently bought with equal relish some paintings as extraordinarily advanced for their time as others seem rooted in timeless classicism.
"Nature Mo
A.the third is a subcategory of the second.
B.the third is the logical cause of the second.
C.the second generalizes and the third gives examples.
D.both present the value of Picasso's paintings.
Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D . Mark your answers on ANSWER SHEET 1.
At a time when everyone's mind is the explosions of the moment, it might seem obtuse of me to discuss the fourteenth century. But I think a backward look at thru disordered, violent, bewildered, disintegrating, and calamity-prone age can be consoling and possibly instructive in a time of similar disarray. Reflected in a six-hundred-year-old mirror, a more revealing image of ourselves and our species might be seen than is visible in the clutter of circumstances under our noses. The value of historical comparison was made keenly apparent to the French medievalist. Edouard Perroy. when he was writing his book on the Hundred Year's War while dodging the Gestapo in World War II. "Certain ways of be having, "he wrote," certain reactions against fate, throw mutual light upon each other."
Besides, if one suspects that the twentieth century's record of inhumanity and folly represents a phase of mankind at its worst, and that our last decade of collapsing assumptions has been one of unprecedented discomfort. it is reassuring to discover that the human race has been in this box before and emerged. The historian has the comfort of knowing that man (meaning, here and hereafter, the species, not the sex) is always capable of his worst; has indulged in it. painfully struggled up from it, slid back, and gone on again.
In what follows, the parallels are not always in physical events but rather in the effect on society, and sometimes in both.
The afflictions of the fourteenth century were the classic riders of the Apocalypse famine. plague. war. and death, this lime on a black horse. These combined to produce an epidemic of violence, depopulation, bad government, oppressive taxes, an accelerated breakdown of feudal bonds. working class insurrection, monetary crisis, decline of morals and rise in crime, decay of chivalry, the governing idea of the governing class, and above all. corruption of society's central institution, the church, whose loss of authority and prestige deprived man of his accustomed guide in a darkening world.
Yet amidst the disintegration were sprouting, invisible to contemporaries, the green shoots of the Renaissance to come. In human affairs as in nature, decay is compost for growth.
The word" obtuse" (Line 1 ,Paragraph 1) probably means
A.stupid.
B.natural.
C.impossible.
D.reasonable.
Last year's robot race in Nevada was a great success.
A.Y
B.N
C.NG
______ the issues of slavery and race has been fundamental in America's development.
A.Promoting
B.Confronting
C.Conquering
D.Measuring
She won ______.
A.the girl's 400-metres race
B.the girl's 400-metre races
C.the girl's 400-metre race
It is a surprise that up to 3 teams came for this year's race called the Grand Challenge.
A.Y
B.N
C.NG
A.Y
B.N
C.NG
She won______.
A.the girl 400 metre race
B.the girl's 400 metres race
C.the girl's 400 metre race (竞赛)
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