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提问人:网友a034090151 发布时间:2022-01-06
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Who is Beethoven?He is one of the greatest ______ in the world.

Who is Beethoven?

He is one of the greatest ______ in the world.

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第1题
About 150 years ago,a musician sat quietly at a concert in Vienna. He was playing his new
symphony. He couldn‘t (11) that the audience were clapping wildly. He was deaf. He was Beethoven,one of the greatest musicians who ever lived.

Beethoven wrote about 300 (12) of music. He wrote some of his most beautiful pieces after he became deaf. It is hard for anyone to be deaf. But it is even worse for a musician than for (13) else. Think of not being able to hear the music you have written!

As a child Beethoven did not have a happy life. His father drank (14) .When the boy was only four,his father decided to make a musician (15) him. Hour after hour he had to practice (16) the violin. He learned so fast that he was able to make a concert tour when he was eleven. When he was seventeen,the great Mozart praised him. After he studied with Haydn. Beethoven was writing a great deal of music (17) .

Beethoven had an ugly face and a bad temper. He was often invited (18) the homes of wealthy people. They forgave him when his temper flared up. Illness made him become deaf when he was (19) thirty-one.

Beethoven wrote long pieces and short ones,gentle ones and (20) ones.

A. hear

B. listen

C. listen to

D. hear of

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第2题
听力原文:Ludwig Beethoven was born in Bonn, in the Rhineland. His father was a professiona

听力原文: Ludwig Beethoven was born in Bonn, in the Rhineland. His father was a professional musician in the Court of The Elector of Cologne; he was often drunk, and he was a hard task-master to his son. Ludwig began learning violin and piano when he was only 5, and by the time he was 8 years old the began giving public concerts. He received very little education apart from music, but he was fortunate in having a good music teacher, the court organist, who recognized his abilities and taught him well. When he was 14, Ludwig was appointed second court organist, a post which gave him some opportunity to travel. He visited Vienna, where Mozart heard him play and said, "Watch that young fellow; he is going to cause a stir in the world." When he was 16 his mother died, and three years later his father was dismissed from his post at Court. Ludwig, with characteristic loyalty and devotion to his family, accepted responsibility both for his father and his two younger brothers.

Throughout his life Beethoven produced numerous musical works. First and foremost, Beethoven was a composer of extended music, that is, long works in several movements. His masterpieces remain the greatest and most personal compositions of one of the world's greatest musical thinkers. No composer has put more of himself into his music; everything he left, from anger to tenderness, from misery to hope is found there.

(33)

A.At five.

B.At six.

C.At eight.

D.At twelve.

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第3题
36-40 The following is an essay entitled “Haydn, M...

36-40 The following is an essay entitled “Haydn, Mozart, and Beethoven”, but with scrambled paragraphs. Go over it and decide upon the correct order of the paragraphs to compose an effective essay. A. These three composers had some differences in their musical education. Haydn was born in an ordinary farmhouse, liked to sing songs with his parents, and mimic playing the violin. His father wanted him to be a musician. So he entered music school at age six. Like Haydn, Mozart's family was also musical. His father was a good violinist. At an early age, Mozart could remember tunes and recognize easy chords on the harpsichord. But unlike Haydn, who went to school at an early age, Mozart started composing at age five and performing at age six. Although Beethoven was also born into a musical family, his music education began later in his childhood. A chapel organist taught him to play the organ, and he became a cymbalist in a theater orchestra at age twelve. B. In conclusion, Haydn, Mozart, and Beethoven had different musical educations, working styles and achievements. Their lives, their compositions, and their greatness came out of all these features, and they used their talents faithfully to become three of the most admired composers of all time. C. Haydn, Mozart and Beethoven were the greatest composers of their age. They knew each other. In fact, Haydn influenced Mozart’s music, and he was one of Beethoven's teachers. Even though they were associated with each other, they had their own lives. Mozart died earlier than the other two, and Beethoven was deaf. Therefore, it is interesting to compare their musical educations, working styles, and achievements. D. The achievements of these three composers were also different. Although they all composed instrumental music, Haydn tried to use different instruments together to make rich sounds. He was also the founder of secular music, because he was interested in different people's songs and dances. Mozart’s musical emphasis was different from Haydn’s. He wrote music for symphonies, concertos, and string quartets. He also developed sacred music. Beethoven, however, worked to join the intellectual part of music with the emotions. To do this, he changed the traditional use of the instruments and enlarged their scaled. E. Their working styles were more different than their education. Haydn liked a calm, quiet place to work, and he always wore neat, clean clothes while he was composing. In contrast, Mozart did not care where he composed. According to Konard (1992), “He was able to jot down whatever works he liked, whenever he liked, wherever he happened to be". He even composed while he was playing billiards. Beethoven's style was not like Haydn’s or Mozart’s. Beethoven was only able to compose when he strong emotions. Sometimes these moments happened even when he was taking a walk. 段落按照排序依次填入:36.____ 37.____ 38.____ 39.____ 40.____ 现在请填写第36题答案。(填一个大写字母即可)

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第4题
" They laughed when I sat down at the piano, but when I started to play . . . ! " These wo
rds may be among the most successful in advertising history. Although the ad has not run for many years, the slogan is still remembered. It was written in 1925 for the V. S. School of Music, to sell home music lessons.

The ad has great appeal. It pictures a handsome man sitting at a piano in front of smiling guests. It tells the story of Jack, who has secretly learned to play the piano through a mail-order course. His friends at a party all scoff when he sits at the keyboard. But as he plays the first notes of Beethoven's "Moonlight Sonata, " they all amazed. When he finishes his flawless performance, the listeners shower him with applause and praise.

Jack tells his friends that he learned to play through the V. S. School of Music. He explains that he was taught through a new method, using no laborious scales and no tiresome practicing. He didn't even have a special talent for music! In the ad, others, too, could increase their popularity and gain happiness.

The writer of this ad, John Gaples, called this style. the "Walter Mitty approach." Walter Mitty is a character in a short story by James Thurber, who daydreams of taking part in great adventures. Although this ad seems old-fashioned now, many people still dream of such easy social success.

The opening sentence catches your attention by______.

A.surprising you

B.describing a humorous situation

C.ridiculing someone

D.appealing to people's dreams of personal success

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第5题
Signs of deafness had given him great anxiety as early as 1798. For a long time he success
fully concealed it from all but his most intimate friends, while he consulted physicians and quacks with eagerness. But neither quackery nor the best skill of his time availed him, and it has been pointed out that the root of the evil lay deeper than could have been supposed during his lifetime. Although his constitution was magnificently strong and his health was preserved by his passion for outdoor life, a post-mortem examination revealed a very complicated state of disorder, evidently dating from childhood (if not inherited) and aggravated by lack of care and good food. The touching document addressed to his brothers in 1802, and known as his "will" should be read in its entirety. No verbal quotation short of the whole will do justice to the overpowering outburst which runs in almost one long unpunctuated sentence through the whole tragedy of Beethoven's life, as he knew it then and foresaw it. He reproaches men for their injustice in thinking and calling him pugnacious, stubborn, and misanthropical when they do not know that for six years he has suffered from an incurable condition aggravted by incompetent doctors. He dwells upon his delight in human society from which he has had so early to isolate himself, but the thought of which now fills him with dread as it makes him realize his loss, not only in music but in all finer interchange of ideas, and terrifies him lest the cause of his distresses should appear. He declares that, when those near him had heard a flute or a singing shepherd while he heard nothing, he was only prevented from taking his life by the thought of his art, but it seemed impossible for him to leave the world until he had brought out all that he felt to be in his power. He requests that after his death his present doctor, if surviving, shall be asked to describe his illness and to append it to this document in order that at least then the world may be as far as possible reconciled with him. He leaves his brothers property, such as it is, and in terms not less touching, if more conventional than the rest of the document, he declares that his experience shows that only virtue has preserved his life and his courage through all his misery.

During the last twelve years of his life, his nephew was the cause of most of his anxiety and distress. His brother, Kaspar Karl, had often given him trouble--for example, by obtaining and publishing some of Beethoven's early indiscretions, such as the trio variations, op. 44, the sonatas, op. 49, and other trifles. In 1815, after Beethoven had quarreled with his oldest friend, Stephan Breuning, for warning him against trusting his brother in money matters, Kaspar died, leaving a widow of whom Beethoven strongly disapproved, and a son, nine years old, for the guardianship of whom Beethoven fought the widow through all the law courts. The boy turned out utterly unworthy of his uncle's persistent devotion and gave him every cause for anxiety. He failed in all his examinations, including an attempt to learn some trade in all his ecaminations, including an attempt to learn some trade in the polytechnic school, whereupon he fell into the hands of the police for attempting suicide, and after being expelled from Vienna, joined the army. Beethoven's utterly simple nature could neither educate nor understand a human being who was not possessed by the wish to do his best. His nature was passionately affectionate, and he had suffered all his life from the want of a natural outlet for it. He had often been deeply in love and made no secret of it. But Robert Browning had not a more intense dislike of "the artistic temperament" in morals, and though Beethoven's attachments were almost hopelessly above him in rank, there is not one that was not honorable and respected by society as showing the truthfulness and self-control of a great man. Beethoven's orthodoxy in such matters has p

A.A Great Genius

B.Beethoven's Deafness

C.Tribulations of a Genius

D.An Undeserving Nephew

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第6题
Vienna Vienna was one of the music centers of Europe during the classical period, and Hayd

Vienna

Vienna was one of the music centers of Europe during the classical period, and Haydn, Mozart, and Beethoven were all active there. As the seat of the Holy Roman Empire (which included parts of present-day Austria, Germany, Italy, Hungary, Czech and Slovakia), it was a (51) cultural and commercial center (52) a cosmopolitan character. Its population of al most 250, 000 (in 1800) made Vienna the fourth largest city in Europe. All three (53) masters were born elsewhere, but they were drawn to Vienna to study and to seek (54) . In Vienna, Haydn and Mozart became close friends and influenced each other’s musical (55) Beethoven traveled to Vienna at sixteen to play for Mozart; at twenty-two, he returned to study with Haydn.

Aristocrats from all over the Empire spent the winter in Vienna, sometimes bringing their private (56) . Music was an important part of court life, and a good orchestra was a (57) of prestige. Many of the nobility were excellent musicians.

Much music was heard in private concerts where aristocrats and wealthy commoners played (58) professional musicians. Mozart and Beethoven often earned money by performing in these intimate concerts. The nobility (59) hired servants who could (60) as musicians. An advertisement in the Vienna Gazette of 1789 (61) : “Wanted, for a house of the gentry, a manservant who knows how to play the violin well.”

In Vienna there was also outdoor music, light and popular in (62) . Small street bands of wind and string players played at garden parties or under the windows of people (63) to throw (64) money. Haydn and Mozart wrote many outdoor entertainment (65) , which they called divertimentos or serenades. Vienna’s great love of music and its enthusiastic demand for new works made it the chosen city of Haydn, Mozart and Beethoven.

(51)

A.romantic

B.bustling

C.integrated

D.antique

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第7题
Signs of deafness bad given him great anxiety as early as 1778. For a long time he success
fully concealed it from all but his mast intimate friends. The touching document addressed to his brothers in 1802, and known as his "Will" should be read in its entirety. He reproached men for their injustice in thinking and calling him pugnacious, stubborn, and misanthropical when they did not know that for six years he had suffered from an incurable condition aggravated by incompetent doctors. He dwelled upon his delight in human society from which he had had so early to isolate himself, but the thought of which now filled him with dread as it made 14ira realize his loss, not in music — but in all finer interchange of ideas. He requested that after his death his present doctor shall be asked to describe his illness and to append it to his document in order that at least then the world might be as far as possible reconciled with him. He left his brothers property, such as it was, if more conventional than the rest of the document.

During the last twelve years of his life, his nephew was the cause of most of his anxiety and distress. His brother, Kaspar Karl died in 1815, leaving a widow and a son The boy turned out utterly unworthy of his uncle's persistent devotion and gave him every cause for anxiety. He failed in all his examinations, including an attempt to learn some trade in the polytechnic school, whereupon he fell into the hands of the police for at- tempting suicide, and after being expelled from Vienna, joined the army. Beethoven's utterly simple nature could neither educate nor understand a human being who was not possessed by the wish to do his best. His nature was passionately affectionate, and he has suffered all his life from the want of a natural outlet for it. He had often been deeply in love and made no secret of it; there was no one that was not honorable and respected by society as showing the truthfulness and self-control of a great man. Beethoven's orthodoxy in such matters has provoked the smiles of Philistines, especially when it showed itself in his objections to Mozart, Don Giovanni and the grounds for selecting the subject of Fidelio for his own opera. The last thing that Philistines will never understand is that genius is far too independent of convention to abuse it; and Beethoven's life, with all its mistakes, its grotesqueness, and its pathos, is as far beyond the shafts of Philistine wit as his art.

The sentence "genius is far too independent of convention to abuse it" implies that ______.

A.an artist does not understand conventional morality

B.Philistines expect geniuses to be morally conventional

C.Beethoven lived within a conventional moral code

D.Don Giovanni abuses conventional standards

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第8题
Which has the greater impact, good or evil, the heroes or the villains (坏人), Roosevelt a

Which has the greater impact, good or evil, the heroes or the villains (坏人), Roosevelt and Churchill or Hitler? To what extent do they depend on each other, when threats produce resolve, when terror(产生,酿成) engenders courage, when an Ultimate challenge to principle has the effect of making principles stronger, forging them by fire.'? Thoughtful people want to understand what made Hitler strong and what finally killed him; and search, perhaps, for a vaccine for the virus that reappears still in ethnic enclaves, on websites, in the wilderness camps of skinhead anarchists and in the halls of Columbine High School, where two boys celebrated Hitler's birthday with a memorial massacre of children.

If all Hitler had done was killing people in vast numbers more efficiently than anyone else every did, the debate over his lasting importance might end there. But Hitler's impact went beyond his willingness to kill without mercy. He did something civilization that had not seen before. Genghis Khan operated in the context of the nomadic steppe, where pillaging(抢劫,掠夺) villages was the norm, Hitler came out of the most civilized society on Earth, the land of Beethoven and Goethe and Schiller. He set out to kill people net for what they did but for who they were.

It is this distinction that pulls us right into the heart of the question. And that is our long, modern conversation over the nature of evil. The debate goes back to Socrates, who argued that anyone who was acquainted with good could not intentionally choose evil instead. Enlightenment thinkers went further, pushing concepts of good and ceil into the realm(领域,范畴) of superstition. But Hitler changed that. It was he, perhaps more than any other figure, who demanded a whole rethinking about good, evil, God and man.

The massacre at Columbine High School serves as an example of ______.

A.Hitler's influence among contemporary youths

B.the evil nature of man

C.the virus of hatred in man

D.unexpected challenges to civilized life

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第9题
Beethoven died of heart attack when he was composing music.
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