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更多“Much of the fiction and poetry is second-rate or worse, which is not surprising, _____ the barriers …”相关的问题
A．authors... ignored
B．needs... unrecognized
C．genres... interchangeable
D．intentions... misunderstood
The question is: what is science fiction？ And the answer must be, unfortunate, that there have been few attempts to consider this question at any length or with much seriousness; it may well be that science fiction will resist any comprehensive definition of its characteristics. To say this, however, does not mean that there are no ways of defining nor that various facets of its totality cannot be clarified. To begin with, the following definition should be helpful: science fiction is literary subgenre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion. Although this definition will necessarily be modified and expanded, and probably changed, in the course of this explosion, it covers much of the basic groundwork and provides a point of departure.
The first point--that Science fiction is a literary sub-genre--is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas, which could be called science fiction, with Karel Capek's RUR (Rossum's Universal Roots) being the only one that is well known; the body of poetry that might be labeled science fiction is the only slightly larger. To say that science fiction is a sub-genre of the prose fiction is to say that it has all the basic characteristics and serves the basic functions in much the same way as prose fiction in general-- that is, it shares a great deal with all other novels and short stories.
Everything that can be said about prose fiction, in general applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, characters, language, and the theme. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
Science fiction is called a literary sub-genre because _______.
A．It is not important enough to be a literary genre
B．It cannot be made into a dramatic presentation
C．It has its limits
D．It shares characteristics with other types of prose fiction
2 The question is. what is science fiction？ And the answer must be, unfortunately, that there have been few attempts to consider this question at any length or with much seriousness; it may well be that science fiction will resist any comprehensive definition of its characteristics. To say this, however, does not mean that there are no ways of defining it nor that various facets of its totality cannot be clarified. To begin, the following definition should be helpful: science fiction is a literary sub-genre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to conclusion. Although this definition will necessarily be modified and expanded, and probably changed, in the course of this exploration, it covers much of the basic groundwork and provides a point of departure.
3 This first point—that science fiction is a literary sub-genre—is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, with Karel Capek's RUR (Rossum's Universal Robots) being the only one that is well known; the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a sub-genre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general—that is, it shares a great deal with all other novels and short stories.
4 Everything that can be said about prose fiction, in general, applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, characters, language, and theme. And like any prose, the themes of science fiction are concerned with interpreting man's nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
Science fiction is called a literary sub-genre because ______.
A．it is not important enough to be a literary genre
B．it cannot be made into a dramatic presentation
C．it has its limits
D．it shares characteristics with other types of prose fiction
The question is: what is science fiction？ And the answer must be, unfortunately, that there have been few attempts to consider this question at any length or with much seriousness; it may well be that science fiction will resist any comprehensive definition of its characteristics. To say this, however, does not mean that there are no ways of defining it nor that various facets of its totality cannot be clarified. To Begin, the following definition should be helpful: science fiction is a literary sub-genre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion. Although this definition will necessarily be modified and expanded, and probably changed, in the course of this exploration, it covers much of the basic groundwork and provides a point of departure.
The first point ——that science fiction is a literary sub-genre ——is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, with Karel Capek's RUR (Rossum's Universal Robots) being the only one that is well known; the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a sub-genre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general ——that is, it shares a great deal with all other novels and short stories.
Everything that can be said about prose fiction, in general applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, character, language, and theme. And like any prose, the themes of science fiction are concerned with interpreting man's nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
Science fiction is called a literary sub-genre because ______.
A．it is not important enough to be a literary genre
B．it cannot be made into a dramatic presentation
C．it shares characteristics with other types of prose fiction
D．to call it a "genre" would subject it to literary jargon
Admittedly, Kubrick had one of the largest budgets ever for a film of this kind, but, in my opinion, much of the movie's power and appeal was achieved through relatively inexpensive means. For example, the musical score, which was adapted in large part from well-known classical compositions, was reinforced by the use of almost kaleidoscopic visual effects, especially during the space travel sequences. Spectacular camera work was edited to correspond precisely to the ebb and flow of the music.
After 2001, the dominant theme of science fiction films shifted from the adventures of space travel to the problems created on earth by man's mismanagement of the natural environment and the abuse of technology by a totalitarian state. Overpopulation and the accompanying shortages of food prompt the state to impose extraordinary controls on its citizens. No fewer than twenty-nine films were made around this theme in the years between 1970 and 1977, including Survivors and Chronicle.
In the opinion of this reviewer, until Star Wars was released in 1977, science fiction films were reduced to shallow symbolism disguising to a greater or lesser degree a series of repetitive plots. But Star Wars was different. It offered us a return to imaginative voyages in space and confrontation with intelligent life on other planets. Unlike the other science fiction films of the decade, Star Wars presented technology as having solved rather than aggravated ecological problems. The special effects created to simulate space vehicles traveling very fast through the blackness of the universe were similar to the artistic standards set by 2001.
Which of the following statements is true？
A．2001: A Space Odyssey imposed a great influence on most of the science fiction movies of the 1970s.
B．2001 was better than most of the science fiction movies of the 1970s.
C．A few of the science fiction movies of the 1970s were found sadly imperfect compared with 2001.
D．2001 set new standards for all kinds of movies.
Part A
Directions: Read the following four texts. Answer the questions below each text by choosing A, B, C or D. (40 points)
Many people seem to think that science fiction is typified by the covers of some of the old pulp magazines, the Bug-Eyed Monster, embodying every trait and feature that most people find repulsive, is about to grab, and presumably ravish, a sweet, blonde, curvaceous, scantily clad Earth girl. This is unfortunate because it demeans and degrades a worthwhile and even important literary endeavor. In contrast to this unwarranted stereotype, science fiction rarely emphasizes sex, and when it does, it is more discreet than other contemporary fiction. Instead, the basic interest of science fiction lies in the relation between man and his technology and between man and the universe. Science fiction is a literature of change and a literature of the future, and while it would be foolish to claim that science fiction is a major literary genre at this time, the aspects of human life that it considers make it well worth reading and studying for no other literary form. does quite the same things.
What is science fiction？ To begin, the following definition should be helpful: science fiction is a literary subgenre which postulates a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion. Although this definition will necessarily be modified and expanded, it covers much of the basic groundwork and provides a point of departure.
The first point-that science fiction is a literary subgenre-is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, with Karel Capek's RUR (Rossum's Universal Robots) being the only one that is well known, the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a subgenre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general, that is, it shares a great deal with all other novels and short stories.
Everything that can be said about prose fiction, in general, applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, a setting, characters, language, and theme. And like any prose, the themes of science fiction are concerned with interpreting man's nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result of a particular combination of narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
Science fiction is called a literary subgenre because______.
A．it is not important enough to be a literary genre
B．it cannot be made into a dramatic presentation
C．it shares characteristics with other types of prose fiction
D．to call it a "genre" would subject it to literary jargon
Admittedly, Kubrick had one of the largest budgets ever for a film of this kind, but, in my opinion, much of the movie's power and appeal was achieved through relatively inexpensive means. For example, the musical score, which was adapted in large part from well-known classical compositions, was reinforced by the use of almost kaleidoscopic visual effects, especially during the space travel sequences. Spectacular camera work was edited to correspond precisely to the ebb and flow of the music.
After 2001, the dominant theme of science fiction films shifted from the adventures of space travel to the problems created on earth by man's mismanagement of the natural environment and the abuse of technology by a totalitarian state. Overpopulation and the accompanying' shortages of food prompt the state to impose extraordinary controls on its citizens. No fewer than twenty-nine films were made around this theme in the years between 1970 and 1977, including Survivors and Chronicles.
In the opinion of this reviewer, until Star Wars was released in 1977, science fiction films were reduced to shallow symbolism disguising to a greater or lesser degree a series of repetitive plots. But Star Wars was different. It offered us a return to imaginative voyages in space and confrontation with intelligent life on other planets. Unlike the other science fiction films of the decade, Star Wars presented technology as having solved rather than aggravated ecological problems. The special effects created to simulate space vehicles hurtling through the blackness of the universe were reminiscent of the artistic standards set by 2001.
In the author's opinion, most of the science fiction films released in the 1970s were ______.
A．better than 2001: A Space Odyssey
B．not as good as 2001: A Space Odyssey
C．almost the same as Star Wars
D．better than Star Wars
听力原文： Science fiction writers have often imagined human beings going to live on Mars. But these days, scientists are taking the idea seriously. It has a great deal to recommend it, since it might solve the problem of overcrowding on the earth. But obviously, it would not be worth making the effort unless people could live there naturally. If the atmosphere were like that of the earth, this might be possible. But in fact it is mostly carbon dioxide. Apart from that, there are other problems to be overcome. For example, the temperature Would have to be raised from 60 degrees below zero to 15 degrees above it. Scientists who study Mars have laid down the program that they can follow. To begin with, they will have to find out whether life has ever existed on the planet of Mars in the past. Secondly, they will have to make a reliable map of its surface. And finally, they will have to make a list of the gases. Above all, they will have to discover how much nitrogen it possesses, since nitrogen is four fifths of the air we breathe. They are surprisingly optimistic about raising the temperature on Mars and believe it could be done in two hundred years. It will take a bit longer, though, to transform. the atmosphere so that human beings, could live there. Scientists estimate that this will take one hundred thousand years.
(33)
A．Because people might have to migrate there someday.
B．Because it is very much like the earth.
C．Because it is easier to explore than other planets.
D．Because its atmosphere is different from that of the earth.
听力原文： Science fiction writers have often imagined human beings going to live on Mars. But these days scientists are taking the idea seriously. It has a great deal to recommend it since it might solve the problem of overcrowding on the earth, but obviously it would not be worth making the effort unless people could live there naturally. If the were like that of Earth, this might be possible. But m fact, it s mostly carbon dioxide(CO2). Apart from that, there are other problems to be overcome. For example, the temperature would have to be raised from 60~C below zero to 15~C above it. Scientists who study Mars have laid down the program that they can follow. To begin with, they will have to find out whether life has ever existed on planet Mars in the past. Secondly, they will have to make a reliable map of its surface, and finally they will have to make a list of the gases. Above all, they will have to discover how much nitrogen it possesses, since nitrogen is four-fifths of the air we breathe. They're surprisingly optimistic about raising the temperature on Mars and believe it could be done in 200 years. It would take a bit longer, though, to transform. the atmosphere so that human beings could live there. Scientists estimate that this will take 100,000years.
(33)
A．Because people might have to migrate there someday.
B．Because it is very much like the earth.
C．Because it is easier to explore than other planets.
D．Because its atmosphere is different from that of the earth.
Section B
Directions: There are 2 passages in this section. Each passage is followed by some questions or unfinished statements. For each of them there are four choices marked A, B, C and D. You should decide on the best choice.
Many people seem to think that science fiction is typified by the Bug-eyed Monster, embodying every feature that most people find repulsive. This is unfortunate because it degrades a worthwhile literary endeavor. Instead, the basic interest of science fiction lies in the relation between man and his technology and between man and the universe. Science fiction is a literature of change and a literature of the future, and the aspects of human life that it considers make it well worth reading and studying for no other literary form. does quite the same things. What is science fiction？ To begin, the following definition should be helpful: science fiction is a literary subgenre which postulates(以……为前提) a change (for human beings) from conditions as we know them and follows the implications of these changes to a conclusion.
The first point that science fiction is a literary sub genre--is a very important one, but one which is often overlooked or ignored in most discussions of science fiction. Specifically, science fiction is either a short story or a novel. There are only a few dramas which could be called science fiction, the body of poetry that might be labeled science fiction is only slightly larger. To say that science fiction is a subgenre of prose fiction is to say that it has all the basic characteristics and serves the same basic functions in much the same way as prose fiction in general, that is, it shares a great deal with all other novels and short stories.
Everything that can be said about prose fiction, in general, applies to science fiction. Every piece of science fiction, whether short story or novel, must have a narrator, a story, a plot, the themes of science fiction are concerned with interpreting man's nature and experience in relation to the world around him. Themes in science fiction are constructed and presented in exactly the same ways that themes are dealt with in any other kind of fiction. They are the result to a particular combination of a narrator, story, plot, character, setting, and language. In short, the reasons for reading and enjoying science fiction, and the ways of studying and analyzing it, are basically the same as they would be for any other story or novel.
From the first paragraph, we can infer that science fiction has been most popular in the 20th century because ______.
A．with the growth of literacy, the size of the reading public has increased
B．competition from television has created a demand for more exciting fiction
C．science fiction is easier to understand than other kinds of fiction
D．the increased importance of technology has given science fiction an increased relevance
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