题目内容
（请给出正确答案）
A. succeeds
B. succeeded
C. will succeed
D. is succeeding
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更多“If he _______ in landing a job， Tom will inform. us immediately。A. succeedsB. succeeded”相关的问题
He was annoyed by a fly's ______ in landing on his nose.
A．insistence
B．consistence
C．persistence
D．permanence
A．is
B．would be
C．has been
D．had been
A.publishing
B.writing
C.printing
D.sending
A．he had forgotten to prepare food for the flight
B．fatigue had made him forget hunger earlier before landing
C．jet lag caused his sudden hunger
D．total concentration on the flight had stopped him from feeling hunger
请在第____处填上正确答案。
A. Scholars differ in interpreting the purpose of the designs．
B. The largest picture may have been the sites for special ceremonies．
C. He called Nazca“the largest astronomy book in the world”
D. A Swiss writer named Erich von Daniken wrote that the Nazca lines were designed as a landing place for UFOs．
E. Other scientists are now searching for evidence to prove this．
F. Seen from the ground，it looks like lines scratched into the earth．
He returned from his first visit to the place in late autumn, and could not get back until the snow melted in the following spring.Then he went to the pilot of a small plane, who earned his living by carrying hunters over parts of the country where there were no roads and no railways.He asked the pilot to take him back to the piece of forest.
The pilot did not know the place, so the hunter showed it to him on the map.“But there is nowhere to land there,” said the pilot.“I have flown over that we can’t land anywhere between this river and these mountains.”
“I thought you were a wonderful pilot,” said the hunter, “some of my friends said you could land a plane on a postage stamp.”
“That’s right,” answered the pilot.“I can land a plane where nobody else can.But I tell you there is nowhere to land in the place you are talking about.”
“And what if I tell you that another pilot did land me there last spring？” said the hunter.
“Is that true？” asked the pilot.
“Yes, it is.I swear it.”
Well, this pilot could not let himself beaten by another, so he agreed to take the hunter.
When they reached the place, the hunter pointed out a small spot without trees in the middle of the forest, with a steep rise(陡坡) at one end.The pilot thought there was not enough room to land there, but the hunter said that the other pilot had done so the year before, so down went the plane.When it came to the rise, it turned right over onto its back.As the hunter climbed out, he smiled happily and said, “Yes, that is exactly how the other pilot managed it last time.”.
6.The hunter in the story went to the forest ().
A.once
B.two times
C.many times
D.none of the above
7.In the story the hunter asked a pilot to take him to the piece of forest.This pilot was ().
A.the same pilot who had taken him to the place once
B.a different pilot who had never been to that part of the country
C.a pilot who had been to the place many times
D.a pilot who had never heard of such a place
8.It was difficult for the pilot to land the plane because ().
A.the place for landing was as big as a room
B.the place for landing was as small as a postage stamp
C.there wasn't any place to land
D.there was a room near the landing place
9.“When it came to the rise, I turned right over onto its back.” What do the words “its back” refer to？()
A.the back of the rise
B.the pilot’s back
C.the back of the plane
D.the back of the small spot
10.The hunter got to the plane the first time().
A.by jumping out of the place during the flight
B.in an entirely different way
C.exactly the same way as he got there the second time
D.by climbing down the tree on which the place hand landed
Mysterious Nazca Drawings
？？ One ofthe most mysterious archaeological spectacles in the world is the immensecomplex of geo- metrical symbols, giant ground-drawings of birds and animals,and hundreds of long, ruler-straight lines , some right across mountains, which stretch over l,200 square miles of the Peruvian tablelands, atNazca.
？？ Nazcawas first revealed to modern eyes in 1926 when three explorers looked dow？？n onthe desert from a hillside at dusk and briefly saw a Nazca line highlighted bythe rays of the sun. But it was not until the Peruvian airforce took aerialphotographs in the 1940s that the full magnificence of the pano- rama wasapparent. Hundreds of what looked like landing strips for aircraft wererevealed. There were eighteen bird-like drawings, up t0 400 feet long;four-sided figures with two lines parallel; and long needle-like triangleswhich ran for miles. Among the many abstract patterns were a giant spider, a monkey,a shark all drawn on the ground on a huge scale.
？？ Thescale is monumental, but from the ground almost invisible and totallyincomprehensible. The amaz- ing fact about Nazca, created more than l,500 yearsago, is tha？？t it can only be appreciated if seen from the air. Many, therefore,regarded it as a prehistoric landing ground for visitors from outer space, butJim Wood- man, an American explorer, who was long fascinated by the mystery ofNazca, had a different opinion. He be- lieved that Nazca only made sense if thepeople who had designed and made these vast drawings on the ground couldactually see them, and that led him to the theory that the ancient Peruvianshad somehow learned to fly, as only from above could they really see the extentof their handiwork. With this theory in mind, he researched into ancientPeruvian legends about flight and came to the conclusion that the only feasibleanswer was a hot- air balloon.
？？ To provehis theory, Woodman would have to make such a thing using the same fabrics andfibers that would have？？ been available to the men of Nazca at the time. Hestarted by gathering information from ancient paintings, legends, books andarchaeological sites. After many attempts, Woodman built a balloon-typeairship. It took him into the air, letting him have the sensation he had neverhad from viewing the same ground that he had seen many times. His flight was amodern demonstration of an ancient possibility.？？
？？ One of the "most mysterious archaeologicalspectacles in the world" is？？
A.the size of Nazca
B.the lines over mountains
C.the Peruvian tablelands
D.the huge and complicated ground-drawings
听力原文： It was not yet eleven o'clock when a boat crossed the river with a single passenger, who had promised to pay an extra fare. While the youth stood on the landing place searching in his pockets for money, the boatman got close to him and, with the help of the moonlight, took a careful look at the stranger—a young man of just 18 years, obviously country bred, and now, as it seemed, on his first visit to town.
He was wearing a rough grey coat, which was in good shape. The clothes under his coat were veil made of leather, and fitted tightly to a pair of fat legs; his blue cotton stockings must have been the work of his mother or sister, and on his head was a 3-cornered hat. In his left hand was a walking stick, which hung on his strong shoulders, with 2 leather bags on both ends of the stick. The youth, whose name was Robin, paid the boatman, and then walked forward into the town with light steps, as if he had not already traveled more than 30 miles that day. As he walked along, he looked about his surroundings as eagerly as if he were entering London or Madrid, instead of the little town.
(33)
A．Because he knew he would be paid more than what was usual.
B．Because Robin was just over 20.
C．Because he felt sorry for the handsome young man.
D．Because the boat could only carry one passenger.
Mysterious Nazca Drawings
One of the most mysterious archaeological spectacles in the world is the immense complex of geometrical symbols, giant ground-drawings of birds and animals, and hundreds of long, ruler-straight lines, some right across mountains, which stretch over 1,200 square miles of the Peruvian tablelands, at Nazca.
Nazca was first revealed to modern eyes in 1926 when three explorers looked down on the desert from a hillside at dusk and briefly saw a Nazca line highlighted by the rays of the sun. But it was not until the Peruvian airforce took aerial photographs in the 1940s that the full magnificence of the panorama was apparent. Hundreds of what looked like landing strips for aircraft were revealed. There were eighteen bird-like drawings, up to 400 feet long, four-sided figures with two lines parallel; and long needle-like triangles which ran for miles. Among the many abstract patterns were a giant spider, a monkey, a shark, all drawn on the ground on a huge scale.
The scale is monumental, but from the ground almost invisible and totally incomprehensible. The amazing fact about Nazca, created more than 1,500 years ago, is that it can only be appreciated if seen from the air. Many, therefore, regarded it as a prehistoric landing ground for visitors from outer space, but Jim Woodman, an American explorer, who was long fascinated by the mystery of Nazea, had a different opinion. He believed that Nazca only made sense if the people who had designed and made these vast drawings on the ground could actually see them, and that led him to the theory that the ancient Peruvians had somehow learned to fly, as only from above could they really see the extent of their handiwork. With this theory in mind, he researched into ancient Peruvian legends about flight and came to the conclusion that the only feasible answer was a hot-air balloon.
To prove his theory, Woodman would have to make such a thing using the same fabrics and fibers that would have been available to the men of Nazca at the time. He started by gathering information from ancient paintings, legends, books and archaeological sites. After many attempts, Woodman built a balloon-type airship. It took him into the air, letting him have the sensation he had never had from viewing the same ground that he had seen many times. His flight was a modern demonstration of an ancient possibility.
One of the “most mysterious archaeological spectacles in the world” is______.
A．the size of Nazca
B．the lines over mountains
C．the Peruvian tablelands
D．the huge and complicated ground-drawings
This prelude is so strong, so unnerving, that I feared it would overwhelm the rest of the film When the narrative proper begins, there's an initial feeling of diminishment, it's just a movie, after all, with the usual banal music cues and actors going through their paces. Fortunately, the feeling passes. Saving Private Ryan reasserts its grip on you and, for most of its 2 hour and 40 minute running time, holds you in thrall.
Our heroes are a squad of eight soldiers lucky enough to survived Omaha Beach. Now they are sent, under the command of Captain Miller (Tom Hanks), to find and safely return from combat a Private Ryan (Matt Damon), whose three brothers have already died in action. Why should they risk their lives to save one man？ The question haunts them, and the movie.
The squad is a familiar melting-pot assortment of World War Two grunts—the cynical New Yorker (Edward Burns) who doesn't want to risk his neck; the Jew (Adam Goldberg); the Italian (Vin Diesel); the Bible-quoting sniper from Tennessee (Barry Pepper); the medic (Giovanni Ribisi). The most terrified is an inexperienced corporal (Jeremy Davies) brought along as a translator. Davies seems to express every possible variety of fear on his eloquently scrawny face. Tom Sizemore is also impressive as Miller's loyal second in command. As written by Robert Rodat, they could be any squad in any war movie. But Spielberg and his actors make us care deeply about their fate. Part of the movie's power comes from Hank's quietly mysterious performance as their decent, reticent leader (the men have a pool going speculating about what he did in civilian life). There's an unhistrionic fatalism in Captain Miller; he just wants to get the job done and get home alive, but his eyes tell you he doesn't like the odds.
The level of work in Saving Private Ryan—from the acting to Janusz Kaminski's brilliantly bleached-out color cinematography to the extraordinary sound design by Gary Rydstorm—is state of the art. For most of Saving Private Ryan, Spielberg is working at the top of his form, with the movie culminating in a spectacularly staged climactic battle in a French village. The good stuff is so shattering that it overwhelms the lapses, but you can't help noticing a few Hollywood moments. Sometimes Spielberg doesn't seem to trust how powerful the material is, and crosses the line into sentimentality. There's a prelude and a coda, set in a military cemetery, which is written and directed with a too-heavy hand. But the truth is, this movie so wiped me out that I have little taste for quibbling. When you emerges from Spielberg's cauldron, the world doesn't look quite the same.
The movie Saving Private Ryan is up to a new level because ______.
A．it depicts the landing of American forces on Omaha Beach in 1944
B．the landing is not successful
C．it reproduces the terrible pictures of severed arms, spilling intestines, etc.
D．it is a 25-minute sequence
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