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提问人：网友dywuse
发布时间：2022-01-07
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Anne Scott James was an American journalist and writer of many gardening books.
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A.James II 
B.Mary II 
C.William III 
D.Anne I 
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更多“Anne Scott James was an American journalist and writer of many gardening books.”相关的问题
第2题
Gunpowder plot was an assassinate toward （) in 1605.
A、Bloody Mary
B、Queen Elizabeth
C、James I
D、Queen Anne
第3题
King/Queen（）. After his/her death, James I, King of the House of Stuart from Scotland was invited to be King of England.
A．King James II
B．Queen Victoria
C．Queen Elizabeth I
D．Queen Anne
第4题
Among the following writers, who is often acclaimed literary spokesman of the Jazz Age？A．W
Among the following writers, who is often acclaimed literary spokesman of the Jazz Age？
A．William Faulkner
B．F. Scott Fitzgerald
C．Henry James
D．Eugene O" Neill
第5题
Today, the Tower of London is one of the most popular tourist【C1】______ and attracts over
three million visitors a year. It was occasionally used as a royal palace for the Kings and Queens of England【C2】______ the time of James I, who【C3】______ from 1603 to 1625, but is best known as a prison and execution place. Within the walls of the tower, princes have been murdered, traitors【C4】______ spies shot, and queens of England beheaded. One of the most famous【C5】______ was that of Anne Boleyn in 1536. She was the second wife of Henry Ⅷ. He wanted to【C6】______ her because she could not give him a son, so he【C7】______ her of adultery. She was tried and found guilty. She asked to be beheaded with a sword,【C8】______ the usual axe, which can still be seen in the tower.
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The tower was also the 【C9】______ of one of London's most famous mysteries. King Edward Ⅳ died in 1483. His elder son, Edward, became king【C10】______ his father's death. Young Edward lived in the Tower, and the Duke of Gloucester, his protector,【C11】______ Edward's brother, Richard, to come and live there so that they could play together.【C12】______ then the Duke【C13】______ that he was the new king, and he was crowned 【C14】______ the twelve-year-old Edward,【C15】______ himself Richard Ⅲ.
After that, the boys were seen less and less and【C16】______ disappeared. It is said that they were suffocated in bed by pillows being【C17】______ their mouths. It is believed that Richard Ⅲ ordered their deaths, although it has never been【C18】______ In 1674, workmen at the tower discovered two skeletons, which were taken away and buried in Westminster Abbey in 1678. The【C19】______ were examined in 1933 and were declared to be those of two children,【C20】______ the age of the Princes.
【C1】
A．seats
B．scenes
C．grounds
D．sights
第6题
The 60 Most-Recommended Novels and Short Stories1. Austen, Jane, Pride and Prejudice （BR,
The 60 Most-Recommended Novels and Short Stories
1. Austen, Jane, Pride and Prejudice (BR, 1813) / 2. Baldwin, James, Go Tell It on the Mountain (AM, 1953) / 3. Bellow, Saul, Seize the Day (AM, 1956) / 4. Bronte, Charlotte, Jane Eyre (BR, 1847) / 5. Bronte, Emily, Wuthering Heights (BR, 1847) / 6. Camus, Albert, The Stranger (FR, 1942) / 7. Carroll, Lewis, Alice' s Adventures in Wonderland (BR, 1865) / 8. Cather, Willa, My Antonia (AM, 1918) / 9. Cervantes, Miguel de, Don Quixote (SP, 1605, 1607) / 10. Chopin, Kate, The Awakening (AM, 1899) / 11. Conrad, Joseph, Heart of Darkness (BR, i902 ) / 12. Crane, Stephen, The Red Badge of Courage (AM, 1895) / 13. Defoe, Daniel, Robinson Crusoe (BR, 1719) / 14. Dickens, Charles, Great Expectations (BR, 1860～61)/ 15. Dostoevski, Feodor, Crime and Punishment (RU, 1866) / 16. Eliot, George, The Mill on the Floss (BR, 1860) / 17. Ellison, Ralph, Invisible Man (AM, 1947) / 18. Faulkner, William, The Sound and the Fury (AM, 1929) / 19. Fielding, Henry, Tom Jones (Br, 1749) / 20. Fitzgerald, F. Scott, The Great Gatsby (AM, 1925) / 21. Flaubert, Gustave, Madame Bovary (FR, 1857) / 22. Forster, E. M., A Passage to India (BR, 1924) / 23. Garcia Marquez, Gabriel, One Hundred Years of Solitude (CO, 1967) / 24. Golding, William, Lord of the Flies (BR, 1954) / 25. Hardy, Thomas, Tess of the D' Urbervilles (BR, 1891) / 26. Hawthorne, Nathaniel, The Scarlet Letter (AM, 1850) / 27. Hemingway, Ernest, A Farewell to Arms (AM, 1929) / 28. Hurston, Zora Neale, Their Eyes Were Watching God (AM, 1937) / 29. Huxley, Aldous, Brave New World (BR, 1932) / 30. James, Henry, The Turn of the Screw (AM, 1898) / 31. Joyce, James, A Portrait of the Artist as a Young Man (IR, 1916) / 32. Kafka, Franz, The Trial (CZ, 1925) / 33. Lawrence, D. H., Sons and Lovers (BR, 1913) / 34. Lewis, Sinclair, Babbitt (AM, 1922) / 35. Malamud, Bernard, The Assistant (AM, 1957) / 36. Mann, Thomas, Death in Venice (GE, 1912) / 37. Melville, Herman, Moby-Dick (AM, 1851) / 38. Morrison, Toni, Sula (AM, 1973) / 39. O'Connor, Flannery, A Good Man Is Hard to Find (AM, 1955) / 40. Olsen, Tillie, Tell Me a Riddle (AM, 1956～60) / 41. Orwell, George, Animal Farm (BR, 1945) / 42. Paton, Alan, Cry, the Beloved Country (SA, 1948 ) / 43. Poe, Edgar Allan, Great Tales and Poems (AM, 1839-45) / 44. Salinger, J. D., The Catcher in the Rye (AM, 1951)/ 45. Scott, Sir Walter, Ivanhoe (BR, 1820) / 46. Shelley, Mary, Frankenstein (BR, 1818) / 47. Stelnbeck, John, The Grapes of Wrath (AM, 1939) / 48. Swift, Jonathan, Gulliver' s Travels (BR, 1726) / 49. Thackeray, William Makepeaee, Vanity Fair (BR, 1847～48) / 50. Tolstoy , Leo , War and Peace (RU, 1865~69) / 51. Turgenev, Ivan, Fathers and Sons (RU, 1862) / 52. Twain, Mark, The Adventures of Huckleberry Finn (AM, 1886) / 53. Updike, John, Rabbit, Run (AM, 1961) / 54. Voltaire, Candide (FR, 1759) / 55. Vonnegut, Kurt, Slaughterhouse Five (AM, 1969) / 56. Walker, Alice, The Color Purple (AM, 1982) / 57. Welty, Eudora, Thirteen Stories (AM, 1956) / 58.Wharton, Edith, The Age of Innocence (AM, 1920) /59. Woolf, Virginia, To the Lighthouse (BR, 1927) /60. Wright, Richard, Native Son (AM, 1940)
Which of the following authors is NOT on the list？
A．E. M. Forster.
B．Toni Morrison.
C．J.B.Priestley.
D．Albert Camus.
第7题
In the United States, the traditional view embraced by society is that fences are European
, out of place in the American landscape. This notion turns up repeatedly in nineteenth-century American writing about the landscape. One author after another denounces "the Englishman's insultingly inhospitable brick wall, topped with broken bottles." Frank J. Scott, an early landscape architect who had a large impact on the look of America's first suburbs, worked tirelessly to rid the landscape of fences, which he derided as a feudal holdover from Britain. Writing in 1870, he held that "to narrow our own or our neighbor's views of the free graces of Nature" was selfish and undemocratic. To drive through virtually any American suburb today, where every lawn steps right up to the street in a gesture of openness and welcome, is to see how completely such views have triumphed. After a visit to the United States, British novelist Vita Sackville West decided that "Americans... have no sense of private enclosure."
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In many American suburbs such as the one where I grew up, a fence or a hedge along the street meant one thing: the family who lived behind it was antisocial, perhaps even had something to hide. Fences and hedges said: Ogres within; skip this place on Halloween. Except for these few dubious addresses, each little plot in our development was landscaped like a miniature estate, the puniest "expanse" of unhedged lawn was made to look like a public park. Any enjoyment of this space was sacrificed to the conceit of wide-open land, for without a fence or hedge, front yards were much too public to spend time in. Families crammed their activities into microscopic backyards, the one place where the usefulness of fences and hedges seemed to outweigh their undemocratic connotations.
But the American prejudice against fences predates the suburban development. Fences have always seemed to us somehow un-American. Europeans built wailed gardens; Americans from the start distrusted the hortus conclusus. If the space within the wall was a garden, then what was that outside the wall？ To the Puritans the whole American landscape was a promised land and to draw lines around sections of it was to throw this paramount idea into question. When Anne Bradstreet, the Massachusetts colony's first poet, set about writing a traditional English garden ode, she tore down the conventional garden wall—or (it comes to the same thing) made it capacious enough to take in the whole of America.
The nineteenth-century transcendentalists, too, considered the American landscape "God's second book" and they taught us to read it for moral instruction. Residues of this idea persist, of course; we still regard and write about nature with high moral purpose (an approach that still produces a great deal of pious prose). And though, in our own nature writing, guilt seems to have taken the rhetorical place of nineteenth-century ecstasy, the essential religiosity remains. We may no longer spell it out, but most of us still believe the landscape is somehow sacred, and to meddle with it sacrilegious. And to set up hierarchies within it—to set off a garden from the surrounding countryside—well, that makes no sense at all.
In Para. 1, Frank J. Scott's observation implies that nature ______.
A．is graceful and beautiful only in areas uninhabited by humans
B．should be available for all to enjoy without hindrance
C．must be incorporated into the design of American suburbs
D．exerts amore powerful effect on the British than on Americans
第8题
Social circumstances in Early Modem England mostly served to repress women's voices. Patri
archal culture and institutions constructed them as chaste, silent, obedient, and subordinate. At the beginning of the 17th century, the ideology of patriarchy, political absolutism, and gender hierarchy were reaffirmed powerfully by King James in The Trew Law of Free Monarchie and the Basilikon Doron; by that ideology the absolute power of God the supreme patriarch was seen to be imaged in the absolute monarch of the state and in the husband and father of a family. Accordingly, a woman's subjection, first to her father and then to her husband, imaged the subjection of English people to their monarch, and of all Christians to God. Also, the period saw an outpouring of repressive or overtly misogynist sermons, tracts, and plays, detailing women's physical and mental defects, spiritual evils, rebelliousness, shrewish ness, and natural inferiority to men.
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Yet some social and cultural conditions served to empower women. During the Elizabethan era (1558～1603) the culture was dominated by a powerful Queen, who provided an impressive female example though she left scant cultural space for other women. Elizabethan women writers began to produce original texts but were occupied chiefly with translation. In the 17th century, however, various circumstances enabled women to write original texts in some numbers. For one thing, some counterweight to patriarchy was provided by female communities-mothers and daughters, extended kinship networks, close female friends, the separate court of Queen Anne (King James' consort) and her often oppositional masques and political activities. For another, most of these women had a reasonably good education (modern languages, history, literature, religion, music, occasionally Latin) and some apparently found in romances and histories more expansive terms for imagining women's lives. Also, representation of vigorous and rebellious female characters in literature and especially on the stage no doubt helped to undermine any monolithic social construct of women's mature and role.
Most important, perhaps, was the radical potential inherent in the Protestant insistence on every Christian's immediate relationship with God and primary responsibility to follow his or her individual conscience. There is plenty of support in St Paul's epistles and elsewhere in the Bible for patriarchy and a wife's subjection to her husband, but some texts (notably Galatians 3:28) inscribe a very different politics, promoting women's spiritual equality: "There is neither Jew nor Greek, there is neither bond nor free, there is neither male nor female: for ye are all one in Jesus Christ." Such texts encouraged some women to claim the support of God the supreme patriarch against the various earthly patriarchs who claimed to stand toward them in his stead.
There is also the gap or slippage between ideology and common experience. English women throughout the 17th century exercised a good deal of accrual power: as managers of estates in their husbands' absences at court or on military and diplomatic missions; as members of guilds; as wives and mothers who apex during the English Civil War and Interregnum (1640～1660) as the execution of the King and the attendant disruption of social hierarchies led many women to seize new roles—as preachers, as prophetesses, as deputies for exiled royalist husbands, as writers of religious and political tracts.
What is the best title for this passage？
A．Women's Position in the 17th Century.
B．Women's Subjection to Patriarchy.
C．Social Circumstances in the 17th Century.
D．Women's objection in the 17th Century.
