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提问人:网友ansiwang 发布时间:2022-01-07
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6.Act I of Hamlet The ghost of the King of Denmark...

6.Act I of Hamlet The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The play ends with a duel, during which the King, Queen, Hamlet's opponent and Hamlet himself are all killed. Late at night, guards on the battlements of Denmark's Elsinore castle are met by Horatio, Prince Hamlet's friend from school. The guards describe a ghost they have seen that resembles Hamlet's father, the recently-deceased king. At that moment, the Ghost reappears, and the guards and Horatio decide to tell Hamlet. Claudius, Hamlet's uncle, married Hamlet's recently-widowed mother, becoming the new King of Denmark. Hamlet continues to mourn for his father's death and laments his mother's lack of loyalty. When Hamlet hears of the Ghost from Horatio, he wants to see it for himself. Elsewhere, the royal attendant Polonius says farewell to his son Laertes, who is departing for France. Laertes warns his sister, Ophelia, away from Hamlet and thinking too much of his attentions towards her. The Ghost appears to Hamlet, claiming indeed to be the ghost of his father. He tells Hamlet about how Claudius, the current King and Hamlet's uncle, murdered him, and Hamlet swears vengeance for his father. Hamlet decides to feign madness while he tests the truth of the Ghost's allegations. According to his plan, Hamlet begins to act strangely. He rejects Ophelia, while Claudius and Polonius, the royal attendant, spy on him. They had hoped to find the reason for Hamlet's sudden change in behavior but could not. Claudius summons Guildenstern and Rosencrantz, old friends of Hamlet to find out what's got into him. Their arrival coincides with a group of travelling actors that Hamlet happens to know well. Hamlet writes a play which includes scenes that mimic the murder of Hamlet's father. During rehearsal, Hamlet and the actors plot to present Hamlet's play before the King and Queen. At the performance, Hamlet watches Claudius closely to see how he reacts. The play provokes Claudius, and he interrupts the action by storming out. He immediately resolves to send Hamlet away. Hamlet is summoned by his distressed mother, Gertrude, and on the way, he happens upon Claudius kneeling and attempting to pray. Hamlet reasons that to kill the King now would only send his soul to heaven rather than hell. Hamlet decides to spare his life for the time being. 12.How did Hamlet do after he swore vengeance for his father?

A、He pretended to be mad.

B、He accepted Ophelia.

C、He departed for France.

D、He killed his uncle and his mother.

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更多“6.Act I of Hamlet The ghost of the King of Denmark...”相关的问题
第1题
I like Hamlet’s() (独白):“To be or not to be. That is the question. ”A、monologueB、murmur

I like Hamlet’s() (独白):“To be or not to be. That is the question. ”

A、monologue

B、murmur

C、dialogue

D、conversation

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第2题
听力原文:The British actor John Mills has died at the age of 97. An appearance in Hamlet i

听力原文: The British actor John Mills has died at the age of 97. An appearance in Hamlet in 1929 established Sir John as one of the upcoming stars of the British theater and a series of stage successes was followed by more than films. Johri Mills came to epitomize the stubborn defiance of the British servicemen at war, in such successes as In Which We Served and Ice Cold in Alex.

Who was John Mills?

A.Manager of a British theater.

B.A film director.

C.A researcher on Scott.

D.A British actor.

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第3题
听力原文:W: Hi, Bob! We've been working hard at our lessons for a fortnight.So why don't w

听力原文:W: Hi, Bob! We've been working hard at our lessons for a fortnight. So why don't we take it easy this weekend?

M: Okay! What do you suggest?

W: How about seeing a play? I hear "Hamlet" is on at the National Theater.

Why does the woman suggest relaxing?

A.Because they' ve been working hard at their jobs.

B.Because they' ve been studying hard for some time.

C.Because they long to see a play.

D.Because they think that "Hamlet" is worth seeing.

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第4题
听力原文:M: I'd like to book a few seats for" Hamlet", please.W: Yes, sir.M: Have you got

听力原文:M: I'd like to book a few seats for" Hamlet", please.

W: Yes, sir.

M: Have you got any seats downstairs?

W: Yes, we have.

M: How much are they?

W: $3.75 each.

M: Are there any seats for $2.50?

W: Yes, there are--upstairs. How many?

M: Four, please.

W: For which night?

M: What about Saturday, October 21st?

W: I can give you four seats in Row 8.

M: How long will the performance last?

W: Two and a half hours.

M: Thank you. How much will that be in all?

Why doesn't the man book the seats downstairs?

A.Too expensive.

B.Too close to the stage.

C.Uncomfortable.

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第5题
听力原文:The British actor John Mills has died at the age of 97. An appearance in Hamlet i

听力原文: The British actor John Mills has died at the age of 97. An appearance in Hamlet in 1929 established Sir John as one of the upcoming stars of the British theater and a series of stage successes was followed by more than films. John Mills came to epitomize the stubborn defiance of the British servicemen at war, in such successes as In Which We Served and Ice Cold in Alex.

Who was John Mills?

A.Manager of a British theater.

B.A film director.

C.A researcher on Scott.

D.A British actor.

点击查看答案
第6题
听力原文:M: I'd like to book a few seats for "Hamlet", please.W: Yes, sir.M: Have you got

听力原文:M: I'd like to book a few seats for "Hamlet", please.

W: Yes, sir.

M: Have you got any seats downstairs?

W: Yes, we have.

M: How much are they?

W: $3.75 each.

M: Are there any seats for $2.50?

W: Yes, there are--upstairs. How many?

M: Four, please.

W: For which night?

M: What about Saturday, October 21st?

W: I can give you four seats in Row 8.

M: How long will the performance last?

W: Two and a half hours.

M: Thank you. How much will that be in all?

Why doesn't the man book the seats downstairs?

A.Because the seats are too expensive.

B.Because the seats are too close to the stage.

C.Because the seats are uncomfortable.

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第7题
(a) IAS 37 Provisions, contingent liabilities and contingent assets prescribes the account

(a) IAS 37 Provisions, contingent liabilities and contingent assets prescribes the accounting and disclosure for those items named in its title.

Required:

Define provisions and contingent liabilities and briefly explain how IAS 37 improves consistency in financial reporting.

(b) The following items have arisen during the preparation of Borough’s draft financial statements for the year ended 30 September 2011:

(i) On 1 October 2010, Borough commenced the extraction of crude oil from a new well on the seabed. The cost of a 10-year licence to extract the oil was $50 million. At the end of the extraction, although not legally bound to do so, Borough intends to make good the damage the extraction has caused to the seabed environment. This intention has been communicated to parties external to Borough. The cost of this will be in two parts: a fixed amount of $20 million and a variable amount of 2 cents per barrel extracted. Both of these amounts are based on their present values as at 1 October 2010 (discounted at 8%) of the estimated costs in 10 years’ time. In the year to 30 September 2011 Borough extracted 150 million barrels of oil.

(ii) Borough owns the whole of the equity share capital of its subsidiary Hamlet. Hamlet’s statement of financial position includes a loan of $25 million that is repayable in five years’ time. $15 million of this loan is secured on Hamlet’s property and the remaining $10 million is guaranteed by Borough in the event of a default by Hamlet. The economy in which Hamlet operates is currently experiencing a deep recession, the effects of which are that the current value of its property is estimated at $12 million and there are concerns over whether Hamlet can survive the recession and therefore repay the loan.

Required:

Describe, and quantify where possible, how items (i) and (ii) above should be treated in Borough’s statement of financial position for the year ended 30 September 2011.

In the case of item (ii) only, distinguish between Borough’s entity and consolidated financial statements and refer to any disclosure notes. Your answer should only refer to the treatment of the loan and should not consider any impairment of Hamlet’s property or Borough’s investment in Hamlet.

Note: the treatment in the income statement is NOT required for any of the items.

The following mark allocation is provided as guidance for this requirement:

(i) 5 marks

(ii) 4 marks

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第8题
I don't know how I became a writer, but I think it was because of a certain force in me th
at had to write and that finally burst through and found a channel. My people were of the working class of people. My father, a stone-cutter, was a man with a great respect and veneration for literature. He had a tremendous memory, and he loved poetry, and the poetry that he loved best was naturally of the rhetorical kind that such a man would like. Nevertheless it was good poetry, Hamlet's Soliloquy, Macbeth, Mark Antony's “Funeral Oration”, Grey's “Elegy”, and all the rest of it. I heard it all as a child; I memorized and learned it all.

He sent me to college to the state university. The desire to write, which had been strong during all my days in high school, grew stronger still. I was editor of the college paper, the college magazine, etc. , and in my last year or two I was a member of a course in playwriting which had just been established there. I wrote several little one-act plays, still thinking I would become a lawyer or a newspaper man, never daring to believe I could seriously become a writer. Then I went to Harvard, wrote some more plays there, became obsessed with the idea that I had to be a playwright, left Harvard, had my plays rejected, and finally in the autumn of 1926, how, why, or in what manner I have never exactly been able to determine. But probably because the force in me that had to write at length sought out its channel, I began to write my first book in London. I was living all alone at that time. I had two rooms--a bedroom and a sitting room--in a litter square in Chelsea in which all the houses had that familiar, smoked brick and cream-yellow-plaster look.

We may conclude, in regard to the author's development as a writer, that his father ________.

A.made an important contribution

B.insisted that he choose writing as a career

C.opposed his becoming a writer

D.insisted that he read Hamlet in order to learn how to be a writer

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第9题
Part ADirections: Read the following three texts. Answer the questions on each text by cho

Part A

Directions: Read the following three texts. Answer the questions on each text by choosing A, B, C or D. Mark your answers on ANSWER SHEET 1.

I don't know how I became a writer, but I think it was because of a certain force in me that had to write and that finally burst through and found a channel. My people were of the working class of people. My father, a stone-cutter, was a man with a great respect and veneration for literature. He had a tremendous memory, and he loved poetry, and the poetry that he loved best was naturally of the rhetorical kind that such a man would like. Nevertheless it was good poetry, Hamlet's Soliloquy, Macbeth, Mark Antony's Funeral Oration, Grey's Elegy, and all the rest of it. I heard it all as a child; I memorized and learned it all

He sent me to college to the state university. The desire to write, which had been strong during all my days in high school, grow stronger still. I was editor of the college paper, the college magazine, etc, and in my last year or two I was a member of a course in playwriting which had just been established there. I wrote several little one-act plays, still thinking I would become a lawyer or a newspaper man, never daring to believe I could seriously become a writer. Then I went to Harvard, wrote some more plays there, became obsessed with the idea that I had to be a playwright, left Harvard, had my plays rejected, and finally in the autumn of 1926, how, why, or in what manner I have never exactly been able to determine. But probably because the force in me that had to write at length sought out its channel, I began to write my first book in London. I was living all alone at that time. I had two rooms -- a bedroom and a sitting room -- in a little square in Chelsea in which all the houses had that familiar, smoked brick and cream-yellow-plaster look.

We may conclude, in regard to the author's development as a writer, that his father _____.

A.made an important contribution

B.insisted that he choose writing as a career

C.opposed his becoming a writer

D.insisted that he read Hamlet in order to learn how to be a writer

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第10题
Hamlet is about the history ofA NorwayB EnglandC Denmark

Hamlet is about the history of

A Norway

B England

C Denmark

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