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A.relys
B.vents
C./
D./
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更多“Paul often _________ his anger on his wife if he has a bad day at work.”相关的问题
Paragraph 2 Every day after work Paul took his muddy boots off on the steps of the front porch. Alice would have a fit if the boots made it so far as the welcome mat. He then took off his dusty overalls and threw them into a plastic garbage bag; Alice left a new garbage bag tied to the porch railing for him every morning. On his way in the house, he dropped the garbage bag off at the washing machine and went straight up the stairs to the shower as he was instructed. He would eat dinner with her after he was “presentable,” as Alice had often said. Question: Where does Paul most like work？
A、In a cemetery.
B、In an office building.
C、In a grocery store.
D、At a bar.
A.prayed
B.pray
C.prays
D.praying
A．errant
B．erroneous
C．erratic
D．exotic
The body and the mind are closely interwoven in all of us, and certainly in Johnson's case the influence of the body was extremely oblivious. His melancholy, his constantly repeated conviction of the general unhappiness of human life, was certainly the result of his constitutional infirmities. On the other hand, his courage, and his entire indifference to pain, was partly due to his great bodily strength. Perhaps the vein of rudeness, almost of fierceness, which sometimes showed itself in his conversation, was the natural temper of an invalid and suffering giant. That at any rate is what he was. He was the victim from childhood of a disease that resembled St. Vitus's dance. He never knew the natural joy of a free and vigorous use of his limbs; when he walked it was like the struggling walk of one in irons. All accounts agree that his strange gestures and contortions were painful for his friends to witness and attracted crows of starters in the streets.
But Reynolds says that he could sit still for his portrait to be taken, and that when his mind was engaged by a conversation the convulsions ceased. In any case, it is certain that neither this perpetual misery, nor his constant fear of losing his reason, nor his many grave attacks of illness, ever induced him to surrender the privileges that belonged to his physical strength②. He justly thought no character so disagreeable as that of a chronic invalid, and was determined not to be one himself. He had known what it was to live on four pence a day and scorned the life of sofa cushions and tea into which well-attended old gentlemen so easily slip.
Visitors to St. Paul Cathedral are surprised when they look at Johnson's statue because ______.
A．they do not expect it to be there
B．it was dressed in Roman costume
C．it was situated in the dome
D．it was dressed in eighteenth-century costume
Samuel Johnson
塞缪尔•约翰逊
Visitors to St. Paul's Cathedral are sometimes astonished as they walk round the space under the dome to come upon a statue which would appear to be that of a retired gladiator meditating upon a wasted life. They are still more astonished when they see under it an inscription indicating that it represents the English writer, Samuel Johnson. The statue by Bacon, but it is not one of his best works. The figure ism as often in eighteenth-century sculpture, clothed only in a loose robe which leaves arms, legs and one shoulder bare. But the strangeness for us is not one of costume only. If we know anything of Johnson, we know that he was constantly ill all through his life; and whether we know anything of him or not we are apt to think of a literary man as a delicate, weakly, nervous sort of person. Nothing can be further from that than the muscular statue. And in this matter the statue is perfectly right. And the fact which is reports is far from being unimportant.The body and the mind are inextricably interwoven in all of us, and certainly in Johnson's case the influence of the body was obvious and conspicuous. His melancholy, his constantly repeated conviction of the general unhappiness of human life, was certainly the result of his constitutional infinities. On the other hand, his courage, and his entire indifference to pain,were partly due to his great bodily strength. Perhaps the vein of rudeness, almost of fierceness,which sometimes showed itself in his conversation, was the natural temper of an invalid and suffering giant. That at any rate is what he was. He was the victim from childhood of a disease which resembled St. Vitus's Dance. He never knew the natural joy of a free and vigorous use of his limbs; when he walked it was like the struggling walk of one in irons. All accounts agree that his strange gesticulations and contortions were painful for his friends to witness and attracted crowds of starers in the streets. But Reynolds says that he could sit still for his portrait to be taken, and that when his mind was engaged by a conversation the convulsions ceaseD．In any case, it is certain that neither this perpetual misery, not his constant fear of losing his reason, nor his many grave attacks of illness, ever induced him to surrender the privileges that belonged to his physical strength. He justly thought no character so disagreeable as that of a chronic invalid, and was determined not to be one himself. He had known what it was to live on fourpence a day and scorned the life of sofa cushions and tea into which well-attended old gentlemen so easily slip.
We understand from the passage that most eighteenth-century sculpture was______.
A．done by a man called Bacon
B．not very well made
C．loosely draped
D．left bare
A．Y
B．N
C．NG
The example of an outbreak of Salmonella St. Paul is used to ______.
A．show how serious a public sanitary crisis can have
B．exemplify how the public investigations often shift their attentions
C．blame the slow pace of the investigation
D．highlight the urgency of a national tracking system
听力原文：M: Hello, Jane, this is John Smith at the bank. Is Paul there？
W: Not yet, John. He phoned me from the office 5 minutes ago to say that he was stopping for a haircut on his way home.
Q: Where does Paul plan to go on his way home？
(15)
A．To the bank.
B．To the office.
C．To the barbershop.
D．To the department store.
Paul used his savings to make jewellery for the exhibition.
A．Right
B．Wrong
C．Doesn't say
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