题目内容
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When Louis Nevelson works, she _________
A. can carve anything into a great piece of artistic work
B. refuses to make sculpture work for churches
C. doesn't confine her talents into any specific categories
D. always has her religious belief in mind
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更多“When Louis Nevelson works, she _________A. can carve anything into a great piece of arti”相关的问题
What can be inferred from Hilton Kramer's comment on Louis Nevelson？
A. People turned their interest to sculpture instead of painting due to her talents.
B. She was the only great female artist with unbelievable originality.
C. Her work is so expressive that no painters can compete with her.
D. Her creativity and originality endow her work incomparable expressiveness.
By far the most outstanding of these women is Louis Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic, Hilton Kramer, said of her work, "For my- self, I think Ms. Nevelson succeeds where the painters often fail."
Her work have been compared to the Cubist constructions of Picasso, the Surrealistic objects of Miro, and Merzbau of Schwitters. Nevelson would be the first to admit that she has been influenced by all of these, as well as by American sculpture, and by native American and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Nevelson says, "I have always wanted to show the world that art is everywhere except that it has to pass through a creative mind."
Using mostly discarded wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural constructions of great beauty and power. Creating very freely with no sketches, she glues and nails objects together, paints them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere Although she denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as Sky Cathedral and Night Cathedral, suggests such connotations. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither Louis Nevelson nor her art fits into any neat category. (450)
The passage focuses primarily on ______.
A．a general tendency in twentieth-century art
B．the work of a particular artist
C．the artist influences on women sculptors
D．materials used by twentieth-century sculptors
It was ______ that Perrugia was arrested.
A．only when Louis Beraud arrived at the Louvre
B．after the theft as announced all over the world
C．after Valfierno had contacted him
D．about two years later
When did Louis Braille live？
A．He hved in the 170Os.
B．He lived in the 1800s.
C．He lived in the 190Os.
When was the Braille system officially adopted？
A．as soon as it was invented
B．two years after it was invented
C．after Louis Braille had died
By far the most outstanding of these women is Louise Nevelson, who in the eyes of many critics is the most original female artist alive today. One famous and influential critic, Hilton Kramer, said of her work, “For myself, I think Ms. Nevelson succeeds where the painters often fail.”
Her works have been compared to the Cubist constructions of Picasso, the Surrealistic objects of Miro, and the Merzbau of Schwitters. Nevelson would be the first to admit that she has been influenced by all of these, as well as by African sculpture, and by Native American and pre-Columbian art, but she has absorbed all these influences and still created a distinctive art that expresses the urban landscape and the aesthetic sensibility of the twentieth century. Nevelson says, “I have always wanted to show the world that art is everywhere, except that it has to pass through a creative mind.”
Using mostly discarded wooden objects like packing crates, broken pieces of furniture, and abandoned architectural ornaments, all of which she has hoarded for years, she assembles architectural constructions of great beauty and power. Creating very freely with no sketches, she glues and nails objects together, paints them black, or more rarely white or gold, and places them in boxes. These assemblages, walls, even entire environments create a mysterious, almost awe-inspiring atmosphere. Although she has denied any symbolic or religious intent in her works, their three-dimensional grandeur and even their titles, such as Sky Cathedral and Night Cathedral, suggest such connotations. In some ways, her most ambitious works are closer to architecture than to traditional sculpture, but then neither Louise Nevelson nor her art fits into any neat category.
The writer implies in the first paragraph that
A．Louise Nevelson was known before 1940s.
B．until the 1950s and the 1960s, there was no major sculpture made by women artists.
C．Ameirican sculpture developed with the appearance of women sculptors.
D．New York became the art capital because of the contributions made by women sculptors.
听力原文： Ladies and gentlemen, welcome aboard your Scenic Cruiser Bus to Saint Louis, Memphis, and New Orleans with changes in Saint Louis for Kansas City and points west.
This coach is scheduled to arrive in Saint Louis at eight o'clock. You will have a fifteen minute rest stop at Bloomington at three o'clock and a half hour dinner stop at Springfield at five-thirty.
Passengers on this Coach are scheduled to arrive in Memphis at seven o'clock tomorrow morning and in New Orleans at five o'clock tomorrow afternoon. Please don't forget the number of your coach when re-boarding. That number is four-one-eight.
Let me remind you that federal regulations prohibit smoking cigarettes or cigars anywhere in the coach:
This coach is restroom-equipped for your comfort and convenience. Please watch your step when moving about in the coach. Relax and enjoy your trip, and thank you for traveling Scenic Cruiser Bus Lines.
(33)
A．At three o'clock in the afternoon.
B．At five-thirty in the afternoon.
C．At seven o'clock in the evening.
D．At eight o'clock in the evening.
Faith; How many people do you think will show up for dinner？
Louis; Only two of people we invited can't come, so there should be six people.
Faith; ______I cleaned out the store when I bought the food for tonight.
A．We can make do with paper towels.
B．These steaks look great but expensive.
C．I have to stay up late cleaning up.
D．We' re going to have a lot of extra food.
听力原文： The train I was traveling on was already half an hour late. I had planned to arrive in Chicago at 7:00 in time to catch the 7:50 train to St. Louis, but there was no hope of that now. I explained the situation to the conductor who advised me to get off before Union Station and take a taxi. When the time came, he even helped me with my language. He wished mea good luck as I jumped off, and a few minutes later I was going towards the Union Station in a taxi. It was almost 7:50 when we stopped outside the station, I paid the driver quickly, carried my bags and hurried inside.
"The St. Louis train....'？" was all I had time to say to the first porter I saw. You can imagine my disappointment when he pointed to a train that was just moving out of the station.
When did the train he was travelling on arrive in Chicago？
A．At 7:00.
B．At 7:50.
C．In time.
D．Behind its time.
听力原文： The crowd cheered and cheered. The man with the horn waved and smiled his great, happy smile. "More! More!" cried the crowd. And Louis Satchmo Armstrong took his horn and began to play again. Here he was in England. Now as a famous man, he was rich. He knew many important people. Wherever he went, people knew his name. They wanted to hear his music. As Louis played the sad, slow songs, he thought of his home in New Orleans. He lived there as a boy. How many years ago was it？ It was a busy, exciting city. But Louis' family was very poor. He went to work to help his mother. He also went to school. One of Louis' teachers asked him to be in the school band. "This horn is yours until you leave our school," his teacher said. Louis' music was jazz and he loved it. He remembered all the music he heard. He didn't learn to read music until he was a man. When he left school, he played in many bands. He loved his work and people loved him. They knew that he had a wonderful talent. Louis played in little towns and in big cities. Satchmo's horn had as many sounds as ten horns--sometimes slow and sweet; sometimes fast and hot, high and low. His music was always strong and exciting.
(30)
A．A famous family.
B．A rich family.
C．A poor family.
D．A common family.
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