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提问人：网友jj_wong 发布时间：2022-01-06

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As a literary figure, Sophia appears in Henry Fielding' s ______.A．Tom JonesB．AmeliaC．Jose

As a literary figure, Sophia appears in Henry Fielding' s ______.

A．Tom Jones

B．Amelia

C．Joseph Andrews

D．Jonathan Wild the Great

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更多“As a literary figure, Sophia appears in Henry Fielding' s ______.A．Tom JonesB．AmeliaC．Jose”相关的问题

第1题

【判断题】Langston Hughes is known as the most important literary figure of the Harlem Renaissance.

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第2题

Henry David Thoreau seems to be the _______ literary figure in the American history to

revolt against the threat that industrialism and materialism brought to people’s daily life.

A.forth

B.first

C.third

D.second

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第3题

Alexander Pope is a representative figure of neo-classicism, famous for his literary criti

cism,______and his poetry.

A．criticism on Shakespeare

B．translation of Iliad and Odyssey

C．literary innovations

D．political influences

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第4题

One of the characteristics that have made Mark Twain a major literary figure in the 19th c

entury America is his use of ______.

A．vernacular

B．interior monologue

C．unique point of angle

D．photographic description

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第5题

Placed in historical perspective, Howells is found lacking in qualities and depth. But anyhow he is a literary figure worthy of notice.（)

此题为判断题(对，错)。

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第6题

Music and literature, the two temporal arts, contrive their pattern of sounds in time; or,

in other words of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself. In every properly constructed sentence there should be observed this knot or hitch; so that (however delicately) we are led to foresee, to expect, and then to welcome the successive phrases. The pleasure may be heightened by an element of surprise, as, very grossly, in the common figure of the antithesis, or, with much greater subtlety, where an antithesis is first suggested and then deftly evaded. Each phrase, besides, is to be comely in itself; and between the implication and the evolution of the sentence there should be a satisfying equipoise of sound; for nothing more often disappoints the ear than a sentence solemnly and sonorously prepared, and hastily and weakly finished. Nor should the balance be too striking and exact, for the one rule is to be infinitely various; to interest, to disappoint, to surprise, and yet still to gratify; to be ever changing, as it were, the stitch, and yet still to give the effect of an ingenious neatness.

According to the author, great literature depends on its ______.

A．meaning

B．sound

C．ideas

D．balance

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第7题

听力原文：Music and literature, the two temporal arts, contrive their pattern of sound in t

ime; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantive alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself. In every properly constructed sentence there should be observed this knot or hitch; so that we are led to foresee, to expect, and to welcome the successive phrase. The pleasure may be heightened by an element of surprise, as, very grossly, in the common figure of the antithesis, or with much greater subtlety, where an antithesis is first suggested and then deftly evaded.Each phrase, besides, is to be comely in itself; and between the implication and the evolution of the sentence there should be a satisfying equipoise of sound; for nothing more often disappoints the ear than a sentence solemnly and sonorously prepared, and hastily and weakly finished.Nor should the balance be too striking and exact, for the one rule is to be infinitely various; to interest, to disappoint, to surprise, and yet still to gratify; to be ever changing, as it were, the stitch, and yet still to give the effect of an ingenious neatness.

Compared with literature, communication stresses ______.

A．the use of good-patterned sentence structures

B．meaning effect rather than the pattern of a sentence

C．the flow of sound which contributes to the meaning

D．the playing of words instead of that of tones

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第8题

D. H. Lawrence is one of the greatest English novelists of the 20th century, and, perhaps,

the greatest from a working-class family. During his life-long literary career, he had written more than ten novels, several volumes of short stories and a large number of poems. And one of his most famous novel and masterpiece is Women in Love

As its title implies, Women in Love is a novel about two pairs of lovers, around whom a series of episodes are dramatically presented. The two heroines are Ursula Brangwen and her younger sister Gudrun; and the two chief male characters are Gerald Crich, a young coalmine owner, and Ruport Birkin, a school inspector. At the opening of the story, Ursula and Birkin strike an immediate kinship with each other, while Gudrun is attracted by Gerald's physical energy. The rest of the novel is a working out of the relationships of these four through interrelating events and conflicts of personalities. After a series of ups and downs, Birkin and Ursula have reached a fruitful relationship by maintaining their integrity and independence as individuals and decided to get married in the end. But the passionate love between Gudrun and Gerald experiences a process of tension and deterioration. As both of them have lit their "will-power" and "ideals" interference with their proper relations, their love turns out to be a disastrous tragedy. Women in Love is rich in its symbolic meanings. Gerald Crich, an efficient but ruthless coalmine owner, who makes the machine his god and establishes the inhuman mechanical system in his mining kingdom, is a symbolic figure of spiritual death, representing the whole set of bourgeois ethics. Whereas Birkin, a self-portrait of Lawrence, who fights against the cramping pressures of mechanized industrialism and the domination of any kind of dead formulas , is presented as a symbolic figure of human warmth, standing for the spontaneous life force. Women in Love is a remarkable novel in which the individual consciousness is subtly revealed and strands of themes are intricately wound up. The structural pattern of the book derives from the contrast between the destinies of the two pairs of lovers and the subordinate masculine relationship between Birkin and Gerald. Thus, Women in Love is regarded to be a more profoundly ordered novel than any other written by Lawrence.

What is the theme of the passage？

A．D.H. Lawrence.

B．Lawrence's novels.

C．Lawrence's masterpieces.

D．A brief introduction of Women in Love.

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第9题

When a matador is in his costume, they say he's dressed in"lights" —on account of the span

gle and glitter of his suit. As you might expect in the garishly symbolic world of bullfighting, though, itmeans more than that:fame, theatrics, a tendency toward Liberaceness. Perhaps no one in the realm of Spanish bullfighting is as well lighted as Francisco Rivera Ordóez, the central figure in Edward Lewine's bullring odyssey, "Death and the Sun. "Fran, as he's known, is the great -grandson of one famous matador, the model for the bullfighter in Hemingway's"Sun Also Rises";grandson of arguably the greatest modern Spanish matador, the subject of Hemingway's"Dangerous Summer";and son to a matador who suffered the most famous death in the history of bullfighting, after a goring in the small town of Pozoblanco when Fran was 10. Not to mention that Fran's mother was an attention-starved tabloid queen who was captured topless in a paparazzi photograph, and his wife a Spanish duchess. Fran, even before he stuffed, himself into his first bullfighting costume, was no stranger to the lights.

Fran agreed to allow Lewine, who'd followed the bulls casually for the previous decade, to be a guest in his entou- rage for a season. "Death and the Sun"unfolds over eight pretty important months for the torero:the theory was that Fran's career had reached a fork and this season would decide whether he'd become one of the great matadors or fade into obscurity and wind up one of the rickety Spanish drunks who hike up their pants and show off scars from old gorings. It's the"Season on the Brink"method of literary sports journalism:hitch your wagon to a dramatic character, . stick around, take notes, write clown the narrative, collect movie option paycheck. We ride with Fran from Seville to Madrid, Pozoblanco to Valencia, Tolosa to Alicante. It's as much travelogue as sports story. "He carries it in his blood!" one woman cries to Fran from the stands of the bullring in the town of Ronda. In Lewine's Spain—a place of tradition and formality, melodrama and aphorisms—people are always saying things like this. After one particularly beautiful performance, one of Fran's cadre says that he defecates"on the dead of his bullfighting. "This, apparenfly, is a good thing.

Concerning the main character, Fran, which of the following statements is true？

A．One of his ancestors appeared in Hemingway's novels.

B．He was born in a famous family.

C．His wife was famous in tabloid stories.

D．His mother is of noble birth.

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第10题

literary:_________________（adv.)

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