题目内容
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A、Mrs. Warren’s Profession
B、Tess of the d’Urbervilles
C、Jane Eyre
D、Pygmalion
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It is doubtful that there was a more successful comedy team in the 20th century(1)the Three Stooges. Larry, Moe, and Curly became famous for their many short movies(2)extraordinary comedy. In their movies, they found many ways of(3)funny actions. They attracted large audience and received a lot of(4). However, their movies also(5)criticism. Some people who didn't like the Three Stooges(6)they were too violent. In a TV interview Moe and Larry were roused to(7)themselves. Their coarse brand, they said, shouldn't be taken(8). It was just "cartoon violence".
The Stooges got their name and their start in an act(9)Ted Healy and His Stooges. This act began(10)the way for their exceedingly successful career.(11), the team was composed of Larry, Moe and Shemp.(12), Shemp left for a career in more serious movies. When Shemp left, Curly took his(13). Shemp's clumsy character returned in 1946 after Curly(14)a stroke.
Moe was the heart and soul of the team, acting as(15)their main comic force and their director. He was responsible(16)scripting many of the jokes. He'd also spend time providing his services as their business manager. In 1934 the team began a series of comedy shorts that numbered more than 200(17)they ceased in 1958,(18)won them numerous fans.(19)all the criticism, the Three Stooges are undoubtedly the most famous comedy team that history.(20)invented.
It is doubtful that there was a more successful comedy team in the 20th century(1)the 正确hree Stooges. Larry, Moe, and Curly became famous for their many short movies(2)extraordinary comedy. In their movies, they found many ways of(3)funny actions. 正确hey attracted large audience and received a lot of(4). However, their movies also(5)criticism. Some people who didn't like the 正确hree Stooges(6)they were too violent. In a 正确V interview Moe and Larry were roused to(7)themselves. 正确heir coarse brand, they said, shouldn't be taken(8). It was just "cartoon violence".
正确he Stooges got their name and their start in an act(9)正确ed Healy and His Stooges. 正确his act began(10)the way for their exceedingly successful career.(11), the team was composed of Larry, Moe and Shemp.(12), Shemp left for a career in more serious movies. When Shemp left, Curly took his(13). Shemp's clumsy character returned in 1946 after Curly(14)a stroke.
Moe was the heart and soul of the team, acting as(15)their main comic force and their director. He was responsible(16)scripting many of the jokes. He'd also spend time providing his services as their business manager. In 1934 the team began a series of comedy shorts that numbered more than 200(17)they ceased in 1958,(18)won them numerous fans.(19)all the criticism, the 正确hree Stooges are undoubtedly the most famous comedy team that history.(20)invented.
It is doubtful that there was a more successful comedy team in the 20th century(1)the 正确hree Stooges. Larry, Moe, and Curly became famous for their many short movies(2)extraordinary comedy. In their movies, they found many ways of(3)funny actions. 正确hey attracted large audience and received a lot of(4). However, their movies also(5)criticism. Some people who didn't like the 正确hree Stooges(6)they were too violent. In a 正确V interview Moe and Larry were roused to(7)themselves. 正确heir coarse brand, they said, shouldn't be taken(8). It was just "cartoon violence".
正确he Stooges got their name and their start in an act(9)正确ed Healy and His Stooges. 正确his act began(10)the way for their exceedingly successful career.(11), the team was composed of Larry, Moe and Shemp.(12), Shemp left for a career in more serious movies. When Shemp left, Curly took his(13). Shemp's clumsy character returned in 1946 after Curly(14)a stroke.
Moe was the heart and soul of the team, acting as(15)their main comic force and their director. He was responsible(16)scripting many of the jokes. He'd also spend time providing his services as their business manager. In 1934 the team began a series of comedy shorts that numbered more than 200(17)they ceased in 1958,(18)won them numerous fans.(19)all the criticism, the 正确hree Stooges are undoubtedly the most famous comedy team that history.(20)invented.
How to Read
A few years ago I was shopping with a friend and his 12 year-old daughter in downtown San Francisco. A street musician, whom my friend happened to know from his own musician days, was playing the saxophone(萨克斯管)on a street corner. His name was Clifford, and he had attracted a large crowd with his performance. After he finished, my friend introduced him to me and his daughter. Clifford asked her if she played any instrument. When she replied that she was taking trumpet(小号)lessons and played in her junior high school band, he said, "That's fine, little lady. Learn your instrument well and you can play anything."
Somehow these simple yet wise words struck me as appropriate not only for a trumpet player but also for a reader. If you learn to read well, you can read anything you want--not just newspapers and magazines, but more difficult material like philosophy, film criticism, military history-whatever interests you as your confidence grows. You would not be limited in any way. If you have the vocabulary or at least a good dictionary near at hand-you can pick up a book, concentrate in it, and make sense of the author's words.
In the United States, reading instruction often ends at elementary school, so students sometimes have difficulty as they progress through school. They must take their assignments armed only with their elementary school reading skills. The result, too often, is frustration and loss of confidence. And the assigned reading in your college courses will be even greater than they were in high school. Developing Reading Skills is designed to accomplish several tasks: to show you the skills that will enable you to read with greater comprehension, to help you cope with reading assignments With confidence, and to teach you to become an active reader.
The author develops his point by starting with ______．
A．an example
B．an incident
C．a statement
D．a contrast
At the same time, our understanding of the work of art is in part intellectual; we seek in it a conceptual content, which it presents to us in the form. of an idea. One purpose of critical interpretation is to expound this idea in discursive form--to give the equivalent of the content of the work of art in another, nonsensuous idiom. But criticism can never succeed in this task, for, by separating the content from the particular form, it abolishes its individuality. The content presented then ceases to be the exact content of that work of art. In losing its individuality, the content loses its aesthetic reality; it thus ceases to be a mason for attending to the particular work and that first attracted our critical attention. It cannot be this that we saw in the original work and that explained its power over us.
For this content, displayed in the discursive idiom of the critical intellect, is no more than a husk, a discarded relic of a meaning that eluded us in the act of seizing it. If the content is to be the true object of aesthetic interest, it must remain wedded to its individuality: it cannot be detached from its "sensuous embodiment'' without being detached from itself. Content is, therefore, inseparable from form. and form. in turn inseparable from content. (It is the form. that it is only by virtue of the content that it embodies.)
Hegel' s argument is the archetype of many, all aimed at showing that it is both necessary to distinguish form. from content and also impossible to do so. This paradox may be resolved by rejecting either of its premises, but, as with Kant's antinomy, neither premise seems dispensable. To suppose that content and form. are inseparable is, in effect, to dismiss both ideas as illusory, since no two works of art can then share either a content or a form--the form. being definitive of each work' s individuality.
In this case, no one could ever justify his interest in a work of art by reference to its meaning. The intensity of aesthetic interest becomes a puzzling, and ultimately inexplicable, feature of our mental life. If, on the other hand, we insist that content and form. are separable, we shall never be able to find, through a study of content, the reason for attending to the particular work of art that intrigues us. Every work of art stands proxy for its paraphrase. An impassable gap then opens between aesthetic experience and its ground, and the claim that aesthetic experience is intrinsically valuable is thrown in doubt.
Hegel argued that ______ .
A．it is our sensuous appreciation that gives peculiar individuality to the work of art
B．it is the content of the work of art that holds our attention
C．the work of art cannot be understood without a process of logical thinking
D．the form. of the work of art is what our sensuous appreciation concentrates on
(Eveline) Eveline was more attracted to Frank by his wide experience than by his person. ()
A. absorbed
B. acquired
C. attracted
D. assimilated
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