Alice: Where's Emma these days? I haven't seen her recently. Doris: She's in Portugal on b
A.I want to change my job.
B.I hope I can go abroad.
C.I'd love to have Emma's job.
D.When can I go abroad?
A.I want to change my job.
B.I hope I can go abroad.
C.I'd love to have Emma's job.
D.When can I go abroad?
Jack Burns's trip with his mother in the novel's first seven chapters reiterates the central premise of most of Irving's fiction: since all childhoods, even the most pampered, can seem scary, why not expose a fictional child to experiences— grotesque, farcical, sexually outlandish—that might cause even jaded adults to blanch, and then see what happens? In this case, Jack survives the louche environments of tattoo parlors, the pillowy display of prostitutes in Amsterdam's red light district and ambiguous encounters between his mother and her male tattoo customers in various hotel rooms—all with his innocence intact. His father has not been found, but Jack has not been lost.
Then something truly bizarre occurs. Back in Toronto, Alice and Jack settle in again with Mrs. Wicksteed, a wealthy widow who has protective feelings for unwed mothers. She is an Old Girl of St. Hilda' s, an Anglican school that has just decided to admit boys to the lower grades, and Alice, with her help, gets Jack enrolled, because, she tells him, "You'll be safe with the girls."
Alice's confidence on this point rather quickly seems misplaced. At the beginning of his first day at St. Hilda's, Jack bumps into an older girl, Emma Oastler, who immediately takes an interest in his long eyelashes and then in the rest of him. As she tidies up his school uniform, re-tucking his shirt into his gray Bermuda shorts, she whispers in his ear, "Nice rushy, Jack." Emma is 12 and Jack 5 at the time, and she decides to hasten, or at least observe, his progress toward pubescence.
Almost every day after school, as this odd couple rides home in the chauffeur-driven car Emma's family sends for her or repairs to Jack' s room at Mrs. Wicksteed's, a pattern develops:" ' How's the little guy,' "Emma would invariably ask, and Jack would dutifully show her. 'What are you thinking about, little guy?' Emma asked his penis once." When Jack is 8, Emma brings her mother's unlaundered bra to him as food for the little guy's thoughts, telling Jack that he can smell the offering. When he asks why, Emma says: "Just try it, baby cakes. You never know what the little guy might like." Irving's narrator adds: "Boy, was that the truth! (Too bad it would take years for Jack to find that out.)"
Around this point in the novel, some readers may experience a certain sinking sensation. Surely "Until I Find You" can't have turned into what it increasingly appears to be: a novel about Jack's little guy. (What happened to tattoos and the missing father?) There must be a reason for all those unappetizing bedroom scenes between Emma and Jack. Is he meant to be that lamentable presence in so many contemporary news stories, a sexually abused child? Irving has not been shy in the past about telling his readers what they should think—particularly strong didactic streaks run through "The Cider House Rules" and "A Prayer for Owen Meany"—but here he leaves the question of Jack's early sexual indoctri nation murky. When she learns what Jack and Emma have been up to, Alice complains to Mrs. Oastler that Emma has "molested" her son, although she does nothing to kee
A.Hardship of poor people
B.disorder between various people
C.children's experiences under the strange and uncomfortable circumstances
D.rebellion of youth against their parents
听力原文:W: Mice is ill and she's in the hospital now.
M: I'm sorry to hear that
Q: Where's Alice now?
(18)
A.In the classroom.
B.In the hospital.
C.In the theatre.
Section A
Directions: In this section, you will hear 8 short conversations and 2 long conversations. At the end of each conversation, one or more questions will be asked about what was said. Both the conversation and the questions will be spoken only once. After each question there will be a pause. During the pause, you must read the four choices marked A, B, C and D, and decide which is the best answer.
听力原文:W: Hello, John, this is Alice. I'm calling from work. How's your mother feeling?
M :That was very, thoughtful of you. Mom is out of the hospital but she has to stay in bed a few more days.
Q: Where is Alice?
(12)
A.In bed.
B.At her mother's.
C.In the hospital.
D.At the office.
听力原文:Man: Let's eat out for a change, dear.
Woman: Good idea. Someone else can do the washing -up. But where shall we go?
Man: Tom at work told me about that new place...La Bella Italia.
Woman: La Bella Italia?
Man: That is right, they have just opened at 45 High Street. Their pizzas and pasta dishes are supposed to be out of this world.
Woman: Mmm! Sounds marvelous. Let's call them and find out if there are any seats available now.
Man: Actually, Tom gave me an advertisement of the restaurant. It says that La Bella Italia, for the best of Italian food and the friendliest service at a price you can afford. We serve the best pizzas in town. Try our seafood salad and our homemade ice cream .... or just drop in for a cappuccino and a cake while you are shopping. La Bella Italia at 45 High Street. For reservations phone Mario on 519968.
Woman: Oh, Let's go there. And ff it is really good, perhaps, we can bring Emma and Todd there next weekend.
Man: Yeah. That is a good idea.
What is the restaurant famous for?
A.Pizzas and pasta.
B.Coffee.
C.Salad.
D.Dessert.
Alice, ______ where to find the book, asked her mother where the book Was.
A.not to know
B.never to know
C.with no knowledge
D.not knowing
Can you find out where __________ her pen?
A.Alice had put
B.had Alice put
C.Alice has put
D.has Alice put
In fact, Emma' s mother once suspected her husband.
A.Y
B.N
C.NG
Emma's father spent much of the night with a strange woman secretly.
A.Y
B.N
C.NG
All three girls are motherless. Fiercely political Alice discovers that her parents are her grandparents, who thereupon shrivel: "Lie had kept them young whereas the truth had accelerated them practically into oldness". Both parents of the sorrowful Corvus drowned while driving on a flooded interstate off-ramp. The mother of the more conventional Annabel ("one of those people who would say, we'll get in touch soonest' when they never wanted to see you again") slammed her car drunkenly into a fish restaurant. Later, Annabel's father observes to his wife's ghost. "You didn't want to order what I ordered, darling". The sharp-tongued ghost snaps back: "That's because you always ordered badly and wanted me to experience your miserable mistake".
Against a roundly apocalyptic world view, the great pleasures of this book are line-by-line. Ms. Williams can break setting and character alike in a few slashes: "it was one of those rugged American places, a remote, sad-ass, but courageous downwind town whose citizens were flawed and brave". Alice's acerbity spits little wisdoms: putting lost teeth under a pillow for money is "a classic capitalistic consumer trick, designed to wean you away at an early age from healthy horror' and sensible dismay to greedy, deluded, sunny expectancy".
Whether or not the novel, like Alice, expressly advocates animal rights, an animal motif crops up in every scene, as flesh-and-blood "critters" (usually dead) or plain decoration on crockery. If Ms. Williams does not intend to induce human horror at a pending cruel Armageddon, she at least invokes a future of earthly loneliness, where animals appear only as ceramic-hen butter dishes and extinct-species Elastoplasts. One caution: when flimsy narrative superstructure begins to sag, anarchic wackiness can grow wearing. While The Quick and the Dead is sharp from its first page, the trouble with starting at the edge is there is nowhere to go. Nevertheless, Ms. Williams is original, energetic and viscously funny: Carl Hiaasen with a conscience.
The girls in the novel______.
A.did nothing substantive except criticizing the reality
B.protected animals successfully
C.were cruel to the animals
D.murdered their neighbor's dog
Alice, ______ where to find the book, asked her mother where the book Was.
A.not to know
B.never to know
C.with no knowledge
D.not knowing
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