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提问人:网友zdkzdk 发布时间:2022-01-06
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How did the editors deal with the letters from the readers?A.They put some letters in a bi

How did the editors deal with the letters from the readers?

A.They put some letters in a big postbag for reference.

B.They did nothing but keep all the letters for reference.

C.They looked up some information in the letters and then published in Postbag.

D.They published some letters in the column (专栏)—Post bag and kept the rest for reference.

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更多“How did the editors deal with the letters from the readers?A.They put some letters in a bi”相关的问题
第1题
听力原文: How might you drag a good writer's work down to the lower level? Try the spell-c
heck button. A study at the University of Pittsburgh indicates spell-check software may level the playing field between people with differing levels of language skills. hampering the work of writers and editors who place too much trust in the software.

(33)In the study, 33 undergraduate students were asked to proofread a one-page business letter—half of them using Microsoft Word with its red and green lines underlining potential errors. The other half did it in the old-fashioned way, using only their heads. (34)Without grammar or spelling software, students with higher SAT verbal scores made, on average, five errors, compared with 12.3 errors for students with lower scores. Using the software, students with higher verbal scores reading the same passage made, on average, 16 errors, compared with 17 errors for students. with lower scores.

Dennis Galletta, a professor of information systems at the Katz Business School, said spell-check software is so sophisticated that some have come to trust it too thoroughly. (35)"It's not a software problem, it's a behavior. problem," he said. Microsoft technical specialist Tim Pash said grammar and spelling technology is meant to help writers and editors, not solve all their problems. (35)The study found the software helped students find and correct errors in the letter, but in some cases they also changed phrases and sentences flagged by the software as grammatically suspicious, even though they were correct.

(30)

A.They are asked to find out the mistakes of a letter.

B.They are asked to provide proof of the deal.

C.They are asked to finish reading the letter quickly.

D.They are asked to write a business letter.

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第2题
The editors said they must report to the world how Beijing has______pollution and improved
the quality of the environment.

A.cut up

B.cut off

C.cut down

D.cut out

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第3题

—How important is it for a newspaper to have ______ from its readers? 

—Very important, but I think editors have only just begun to realize this.

A.compact

B.integrity

C.bureau

D.feedback

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第4题
One sure way you can tell how quickly a new idea, for example, the idea of "privatization,
" is taking hold among the population is to monitor how fast the word or words expressing that particular idea are passing into common usage. Professional opinions of whether or not words can indeed be said to have passed into common usage are available from dictionary editors, who are vitally concerned with this question. The method described above for determining how quickly a new idea is taking hold relies on which one of the following assumptions?

A.Dictionary editors are not professionally interested in words that are only rarely used.

B.Dictionary editors have exact numerical criteria for telling when a word has passed into common usage.

C.For a new idea to take hold, dictionary editors have to include the relevant word or words in their dictionaries.

D.As a word passes into common usage, its meaning does not undergo any severe distortions in the process.

E.Words denoting new ideas tend to be used before the ideas denoted are understood.

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第5题
For the executive producer of a network nightly news program, the workday often begins at
midnight—as mine did during seven years with ABC's evening newscast①. The first order of business was a call to the assignment desk for a pre-bedtime rundown of latest developments.

The assignment desk operates 24 hours a day, staffed by editors who move crews, correspondents and equipment to the scene of events. Assignment-desk editors are logistics experts; they have to know plane schedules, satellite availability, and whom to get in touch with at local stations and oversea broadcasting systems. They are required to assess stories as they break on the wire services sometimes even before they do—and to decide how much effort to make to cover those stories.

When the United States was going to appeal to arms against Iraq, the number of correspondents and crews was constantly evaluated. Based on reports from the field and also upon the skilled judgments of desk editors in New York City, the fight number of personnel was kept on the alert. The rest were allowed to continue working throughout the world, in America and Iraq ready to move but not tied down by false alarms.

The studio staff of ABC's "World News Tonight" assembles at 9 a. m. to prepare for the 6:30 "air" p.m. deadline. Overnight dispatches from outlying bureaus and press services are read. There are phone conversations with the broadcast's staff producers in domestic bureaus and with the London bureau senior producer, who coordinates overseas coverage. A pattern emerges for the day's news, a pattern outlined in the executive producer's first lineup. The lineup tells the staff what stories are scheduled; what the priorities are for processing film of editing tape; what scripts need to be written; what commercials are scheduled; how long stories should run and in what order. Without a lineup, there would be chaos.

Each story's relative value in dollars and cents must be continually assessed by the executive producer. Cutting back satellite booking to save money might meant that an explanation delivered by an anchor person will replace actual photos of an event. A decline in live coverage could send viewers away and drive ratings down, but there is not enough money to do everything. So decisions must be made and made rapidly—because delay can mean a missed connection for shipping tape or access to a satellite blocked by a competitor.

The broadcasts themselves require pacing and style. The audience has to be allowed to breathe between periods of intense excitement. A vivid pictorial report followed by less exacting materials allows the viewer to reflect on information that has just flashed by. Frequent switches from one anchor to another or from one film or tape report to another create a sense of forward movement. Ideally, leading and tags to stories are worked out with field correspondents, enabling them to fit their reports into the program's narrative flow so the audience's attention does not wander and more substance is absorbed②.

Scripts are constantly rewritten to blend well with incoming pictures. Good copy is crisp, informative. Our rule: the fewer words the better. If a picture can do the work, let it.

What does the word "rundown" (Line 3, Para. 1) possibly mean?

A.The rehearsal of tomorrow's program.

B.A working report or summary to his superior or head.

C.An explanation of the program.

D.Preparation for the program.

点击查看答案
第6题
For the executive producer of a network nightly news program, the workday often begins at
midnight— as mine did during seven years with ABC's evening newscast①. The first order of business was a call to the assignment desk for a pre-bedtime rundown of latest developments.

The assignment desk operates 24 hours a day, staffed by editors who move crews, correspondents and equipment to the scene of events. Assignment-desk editors are logistics experts; they have to know plane schedules, satellite availability, and whom to get in touch with at local stations and overseas broadcasting systems. They are required to assess stories as they break on the wire services--sometimes even before they do—and to decide how much effort to make to cover those stories.

When the United States was going to appeal to arms against Iraq, the number of correspondents and crews was constantly evaluated. Based on reports from the field and also upon the skilled judgments of desk editors in New York City, the right number of personnel was kept on the alert. The rest were allowed to continue working throughout the world, in America and Iraq ready to move but not tied down by false alarms.

The studio staff of ABC's "World News Tonight" assembles at 9 a.m. to prepare for the 6:30 "air" p. m. deadline. Overnight dispatches from outlying bureaus and press services are read. There are phone conversations with the broadcast's staff producers in domestic bureaus and with the London bureau senior producer, who coordinates overseas coverage. A pattern emerges for the day's news, a pattern outlined in the executive producer's first lineup. The lineup tells the staff what stories are scheduled; what the priorities are for processing film of editing tape; what scripts need to be written; what commercials are scheduled; how long stories should run and in what order. Without a lineup, there would be chaos.

Each story's relative value in dollars and cents must be continually assessed by the executive producer. Cutting back satellite booking to save money might meant that an explanation delivered by an anchor person will replace actual photos of an event. A decline in live coverage could send viewers away and drive ratings down, but there is not enough money to do everything. So decisions must be made and made rapidly—be cause delay can mean a missed connection for shipping tape or access to a satellite blocked by a competitor.

The broadcasts themselves require pacing and style. The audience has to be allowed to breathe between periods of intense excitement. A vivid pictorial report followed by less exacting materials allows the viewer to reflect on information that has just flashed by. Frequent switches from one anchor to another or from one film or tape report to another create a sense of forward movement. Ideally, leading and tags to stories are worked out with field correspondents, enabling them to fit their reports into the program's narrative flow so the audience's attention does not wander and more substance is absorbed②.

Scripts are constantly rewritten to blend well with incoming pictures. Good copy is crisp, informative. Our rule: the fewer words the better. If a picture can do the work, let it.

What does the word "rundown"(Line 3, Para.1) possibly mean'?

A.The rehearsal of tomorrow's program.

B.A working report or summary to his superior or head.

C.An explanation of the program.

D.Preparation for the program.

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第7题
Section BDirections: In this section, you will hear 3 short passages. At the end of each p

Section B

Directions: In this section, you will hear 3 short passages. At the end of each passage, you will hear some questions. Both the passage and the questions will be spoken only once. After you hear a question, you must choose the best answer from the four choices marked A, B, C and D.

听力原文: How might you drag a good writer's work down to the lower level? Try the spell-check button. A study at the University of Pittsburgh indicates spell-check software may level the playing field between people with differing levels of language skills, hampering the work of writers and editors who place too much trust in the software.

In the study, 33 undergraduate students were asked to proofread a one-page business letter — half of them using Microsoft Word with its red and green lines underlining potential errors. The other half did it in the old-fashioned way, using only their heads. Without grammar or spelling software, students with higher SAT verbal scores made, on average, five errors, compared with 12.3 errors for students with lower scores. Using the software, students with higher verbal scores reading the same passage made, on average, 16 errors, compared with 17 errors for students with lower scores.

Dennis Galletta, a professor of information systems at the Katz Business School, said spell-check software is so sophisticated that some have come to trust it too thoroughly. "It's not a software problem, it's a behavior. problem," he said. Microsoft technical specialist Tim Pash said grammar and spelling technology is meant to help writers and editors, not solve all their problems. The study found the software helped students find and correct errors in the letter, but in some cases they also changed phrases and sentences flagged by the software as grammatically suspicious, even though they were correct.

Questions 26 to 28 are based on the passage you have just heard.

26. What are the students asked to do in the study?

27. Who made the most mistakes in the study?

28. What is the speaker's opinion of grammar and spelling software?

(27)

A.To write a business letter.

B.To provide proof of the deal.

C.To find out the mistakes of a letter.

D.To finish reading the letter quickly.

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第8题
The paragraph below contains irrelevant sentences....

The paragraph below contains irrelevant sentences. Look at the initial sentence in each paragraph to see what the focus of that paragraph should be and identify the irrelevant sentences. () Newspaper crosswords are becoming increasingly popular. a) There is good evidence that doing crosswords helps you to avoid mental degeneration in later life. b) Newspaper sales have been in decline for several years. c) Many editors blame the increase in television news for the decline in sales. d) Tests with retirees who regularly complete crosswords have shown higher levels of the chemicals associated with mental alertness. e) The participants in the survey reported feeling more alert and interested in life than a control group who did not do crosswords. f) All the participants agreed that The Sun is an awful paper.

A、a)

B、b)

C、c)

D、d)

E、e)

F、f)

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第9题
How do you explain economics in plain English? The Federal Reserve Bank of New York has be
en answering the question with an even more【C1】______tool: comic books. And its been doing that for【C2】______. The New York Fed has published comics about money and finance for【C3】______readers more interested in【C4】______since 1950s, according to Edward Steinberg, a former Fed employee who【C5】______several of the comic books【C6】______online today. In the latest ten years, Steinberg supervised a small team of writers and editors that produced the Feds print publications and educational【C7】______years, such as the comic books. Distributed free of charge to teachers, the comics were mostly【C8】______high school students, whom Steinberg felt werent learning enough about the economy and personal finance,【C9】______some of the more advanced titles, such as The Story of Monetary Policy, have been taught in several college classrooms. Its no【C10】______that the comic books offer highly simplified opinions on the countrys complex financial systems, but they go out of their way to【C11】______dumbing down the content. Most of the booklets are more than 20 pages, and theyre packed with【C12】______and details that could【C13】______a teenager on a first read: The Story of the Federal Reserve System from 1999 starts off slow by comparing and contrasting the Fed with local neighborhood banks, but it soon【C14】______into specific information about monetary policy, open market operations, government securities, and reserve requirements. With guest【C15】______from Uncle Sam and a walking, talking bank, A Penny Saved offers a crash course in saving before touching【C16】______the advantages and disadvantages of【C17】______in the stock market, real estate, and fine art. But the【C18】______part of the series might be the fact that Steinberg doesnt even like comics. "【C19】______the work that I did at the Fed, I dont have an interest in comic books," Steinberg says over email. "It was appropriate,【C20】______, that I had a job writing comic books, because everybody can try to earn his living through humor."

【C1】

A.impossible

B.indispensable

C.unlikely

D.unreliable

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第10题
Stop worrying about recession. That is the message from America' s R-word index. For each
quarter, we【51】how many stories in the New York Times and the Washington Post include the word "recession".【52】bells were set【53】by the sharp jump in the "R-count" in the first quarter of this year, at a rate that in the past has【54】the start of a recession. In the second quarter,【55】, the number of articles【56】by more than one-third. A conspiracy theorist might suggest that newspaper editors,【57】about dwindling advertising revenues, have【58】the R-word. The Economist has found that【59】the past two decades, the R-word index has been good at【60】turning-points in the American economy.

(51)

A.count

B.calculate

C.account

D.reckon

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