_______ is rhythm in poetry. It refers to a generally regular pattern of stressed and unstressed syllables in poetry.
A.Metre
B.Foot
C.Stanza
D.Couplet
- · 有5位网友选择 B,占比55.56%
- · 有3位网友选择 D,占比33.33%
- · 有1位网友选择 C,占比11.11%
A.Metre
B.Foot
C.Stanza
D.Couplet
A.alliteration
B.stress
C.foot
D.juxtaposition
A.blank verse
B.free verse
C.perfect rhyme
D.slant rhyme
A、Rhythmical composition. (musical rhythm)
B、Direct treatment of poetic subjects. (clear concrete images)
C、The theory of impersonality and objectivity.(depersonalization)
D、Elimination of merely ornamental or superfluous words. (clarity, precision, free verse).
听力原文: Rhythm in literature is a more or less regular occurrence of certain elements of writing: a word, a phrase, an idea, a pause, a sound, or a grammatical construction. We are also accustomed to this recurrence in the alternate heavy and light beats in music. Our love for rhythm seems to be innate; witness the response of a small child to a lively music. Children love to beat on toy drums or empty boxes. They stamp their feet and chant nursery rhythms or nonsense syllables, just like primitive dancers. As children grow older, they are taught to restrain their responses to rhythm, but our love of rhythm remains. We live in rhythms; in fact we are governed by rhythms.
Physiologically, we are rhythmical. We must eat, sleep, breathe, and play regularly to maintain good health. Emotionally, we are rhythmical, too, for psychologists say that all of us feel alternate periods of being in high spirits or concentration. It usually follows that rhythm, a fundamental aspect of our lives, must be a part of any good literature works, whether poetry or prose.
Q. 15. What is rhythm in literature according to the passage?
Q. 16.What is the difference between a child's response to music and an adult's response to music?
Q. 17. Which of the following statements is NOT made in the passage?
Q. 18. What is the passage mainly about?
(35)
A.A special use of words.
B.The arrangement of ideas.
C.The regular occurrence of certain elements of writing.
D.The exploration of sound effects.
Teaching Poetry
No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.
All discussion of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet redid the Work in his or her own voice, on records or on film, is obviously a special rewarD.But even those aids to teaching can not replace the student and teacher reading of it or, best of all, reciting it.
I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it; if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life enjoyment with others".. It is“an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.
I am not saying that every English teacher must teach poetry. Those who don't like it should not he forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sounds as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.
第 31 题 According to the passage, to have a better understanding of a poem, the best way is________
A.to discuss it with others
B.to analyze it by oneself
C.to hear it read out
D.to practice reading it aloud
Teaching Poetry
No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.
All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the word in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting (背诵) it.
I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", and "a heightening (提升) of life". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.
I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.
To have a better understanding of a poem, one should ______.
A.discuss it with others
B.analyze it by oneself
C.copy it down in a notebook
D.practice reading it aloud
根据短文回答 31~35 题。
Teaching Poetry
No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.
All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work .in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting (背诵) it.
I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if them isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", and "a heightening (提升) of life". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.
I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.
第 31 题 To have a better understanding of a poem, one should()
A.discuss it with others
B.analyze it by oneself
C.copy it down in a notebook
D.practice reading it aloud
All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting it.
I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life, enjoyment with others". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.
I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. (80) But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.
According to the passage, to have a better understanding of a poem, the best way is ______.
A.to discuss it with others
B.to analyze it by oneself
C.to hear it read out
D.to practice reading it aloud
Teaching Poetry
No poem should ever be discussed or "analyzed" , until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.
All discussion of poetry are, in fact, preparations for it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading of it or,best of all, reciting it.
I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life, enjoyment with others". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.
I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sounds as well as its sense, and they must make room in the classroom for hearing poetry as welt as thinking about it.
According to the passage, to have a better understanding of a poem, the best way is ______.
A.to discuss it with others
B.to analyze it by oneself
C.to hear it read out
D.to practice reading it aloud
According to the writer, the relationship between poetry and music______.
A.is a debatable topic
B.can be made but in a limited way
C.is indisputable if you analyse history
D.needs to be acknowledged more by poets
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