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提问人:网友jinkaizi 发布时间:2022-01-06
[单选题]

_______ is rhythm in poetry. It refers to a generally regular pattern of stressed and unstressed syllables in poetry.

A.Metre

B.Foot

C.Stanza

D.Couplet

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更多“_______ is rhythm in poetry. It refers to a generally regular pattern of stressed and unstressed syl…”相关的问题
第1题
The three musical tools in poetry are rhythm, rhyme and ______.

A.alliteration

B.stress

C.foot

D.juxtaposition

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第2题
_______is poetry that has no fixed rhythm and line length and that attempts to avoid any predetermined verse structure.

A.blank verse

B.free verse

C.perfect rhyme

D.slant rhyme

点击查看答案
第3题
Inspired by Japanese haiku and Chinese imagistic poetry, Ezra Pound develops some principles in his imagism. What are they?

A、Rhythmical composition. (musical rhythm)

B、Direct treatment of poetic subjects. (clear concrete images)

C、The theory of impersonality and objectivity.(depersonalization)

D、Elimination of merely ornamental or superfluous words. (clarity, precision, free verse).

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第4题
唐诗有严格的韵律,讲究平仄,形式有五绝、七绝、五律、七律和排律等。 Tang poetry has a strict rhyt
hm and pay attention to the flat. The form has five-character poems of four lines,seven-character poems of four lines,five-character poems of eight lines,seven-character poems of eight lines,and long poems in regulated verse.

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第5题
听力原文:Rhythm in literature is a more or less regular occurrence of certain elements of

听力原文: Rhythm in literature is a more or less regular occurrence of certain elements of writing: a word, a phrase, an idea, a pause, a sound, or a grammatical construction. We are also accustomed to this recurrence in the alternate heavy and light beats in music. Our love for rhythm seems to be innate; witness the response of a small child to a lively music. Children love to beat on toy drums or empty boxes. They stamp their feet and chant nursery rhythms or nonsense syllables, just like primitive dancers. As children grow older, they are taught to restrain their responses to rhythm, but our love of rhythm remains. We live in rhythms; in fact we are governed by rhythms.

Physiologically, we are rhythmical. We must eat, sleep, breathe, and play regularly to maintain good health. Emotionally, we are rhythmical, too, for psychologists say that all of us feel alternate periods of being in high spirits or concentration. It usually follows that rhythm, a fundamental aspect of our lives, must be a part of any good literature works, whether poetry or prose.

Q. 15. What is rhythm in literature according to the passage?

Q. 16.What is the difference between a child's response to music and an adult's response to music?

Q. 17. Which of the following statements is NOT made in the passage?

Q. 18. What is the passage mainly about?

(35)

A.A special use of words.

B.The arrangement of ideas.

C.The regular occurrence of certain elements of writing.

D.The exploration of sound effects.

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第6题
Teaching Poetry No poem should ever be discussed or "analyzed", until it has been rea

Teaching Poetry

No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

All discussion of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet redid the Work in his or her own voice, on records or on film, is obviously a special rewarD.But even those aids to teaching can not replace the student and teacher reading of it or, best of all, reciting it.

I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it; if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life enjoyment with others".. It is“an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

I am not saying that every English teacher must teach poetry. Those who don't like it should not he forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sounds as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.

第 31 题 According to the passage, to have a better understanding of a poem, the best way is________

A.to discuss it with others

B.to analyze it by oneself

C.to hear it read out

D.to practice reading it aloud

点击查看答案
第7题
Teaching PoetryNo poem should ever be discussed or "analyzed", until it has been read alou

Teaching Poetry

No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the word in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting (背诵) it.

I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", and "a heightening (提升) of life". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.

To have a better understanding of a poem, one should ______.

A.discuss it with others

B.analyze it by oneself

C.copy it down in a notebook

D.practice reading it aloud

点击查看答案
第8题
根据短文回答 31~35 题。 Teaching Poetry No poem should ever be discussed or "analyzed

根据短文回答 31~35 题。

Teaching Poetry

No poem should ever be discussed or "analyzed", until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work .in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting (背诵) it.

I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if them isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", and "a heightening (提升) of life". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.

第 31 题 To have a better understanding of a poem, one should()

A.discuss it with others

B.analyze it by oneself

C.copy it down in a notebook

D.practice reading it aloud

点击查看答案
第9题
No poem should ever be discussed or "analyzed", until it has been read aloud by someo
ne, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

All discussions of poetry are, in fact, preparations for reading it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading it or, best of all, reciting it.

I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life, enjoyment with others". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. (80) But those who do teach poetry must keep in mind a few things about its essential nature, about its sound as well as its sense, and they must make room in the classroom for hearing poetry as well as thinking about it.

According to the passage, to have a better understanding of a poem, the best way is ______.

A.to discuss it with others

B.to analyze it by oneself

C.to hear it read out

D.to practice reading it aloud

点击查看答案
第10题
Teaching PoetryNo poem should ever be discussed or "analyzed" , until it has been read alo

Teaching Poetry

No poem should ever be discussed or "analyzed" , until it has been read aloud by someone, teacher or student. Better still, perhaps, is the practice of reading it twice, once at the beginning of the discussion and once at the end, so the sound of the poem is the last thing one hears of it.

All discussion of poetry are, in fact, preparations for it aloud, and the reading of the poem is, finally, the most telling "interpretation" of it, suggesting tone, rhythm, and meaning all at once. Hearing a poet read the work in his or her own voice, on records or on film, is obviously a special reward. But even those aids to teaching can not replace the student and teacher reading of it or,best of all, reciting it.

I have come to think, in fact, that time spent reading a poem aloud is much more important than "analyzing" it, if there isn't time for both. I think one of our goals as teachers of English is to have students love poetry. Poetry is "a criticism of life", "a heightening of life, enjoyment with others". It is "an approach to the truth of feeling", and it "can save your life". It also deserves a place in the teaching of language and literature more central than it presently occupies.

I am not saying that every English teacher must teach poetry. Those who don't like it should not be forced to put that dislike on anyone else. But those who do teach poetry must keep in mind a few things about its essential nature, about its sounds as well as its sense, and they must make room in the classroom for hearing poetry as welt as thinking about it.

According to the passage, to have a better understanding of a poem, the best way is ______.

A.to discuss it with others

B.to analyze it by oneself

C.to hear it read out

D.to practice reading it aloud

点击查看答案
第11题
The close relationship between poetry and music scarcely needs to be argued. Both are aura
l modes which employ rhythm, rime, and pitch as major devices; to these the one adds linguistic meaning, connotation, and various traditional figures, and the other can add, at least in theory, all of these plus harmony, counterpoint, and orchestration techniques. In English the two are closely bound historically. Anglo-Saxon heroic poetry seems certainly to have been read or chanted to a harpists accompaniment; the verb used in Beowulf for such a performance, the Finn episode, is singan, to sing, and the noun gyd, song. A major source of the lyric tradition in English poetry is the songs of the troubadours. The distance between the gyd in Beowulf and the songs of Leonard Cohen or Bob Dylan may seem great, but is one of time rather than aesthetics. The lyric poem as a literary work and the lyrics of a popular song are both still essentially the same thing: poetry. Whether the title of the work be "Gerontion", or "Hound Dog", our criteria for evaluating the work must remain the same. The most important prerequisite for both a significant poem and significant lyrics in a popular song is that the writer be faithful to his own personal vision or to the vision of the poem he is writing. Skill and craft for writing poetry are indeed necessary because these are the only means by which a poet can preserve the integrity of this vision in the poem. A poet must not, either because of lack of skill or because of worship of popularity, wealth, or critical acclaim, go outside of his own or his own poems vision—on pain of writing only the derivative or the trivial. Historically, the writers and singers of the lyrics of popular songs have seemed often to be incapable of personal vision, and to have confused both originality and morality with a servile compliance to popular taste.

According to the writer, the relationship between poetry and music______.

A.is a debatable topic

B.can be made but in a limited way

C.is indisputable if you analyse history

D.needs to be acknowledged more by poets

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