Chinese painters try to express the essence of a thing. Here the “essence” is made of
A、the thing being painted.
B、the painter's character and thought.
C、the light.
D、the colors.
A、the thing being painted.
B、the painter's character and thought.
C、the light.
D、the colors.
A、No, they do not, because Daoists do not believe in the importance of daily reality, and try to escape from by drawing imaginary paintings.
B、Yes, they do, because Confucianism strongly influenced the art of painting, and they being very pragmatical believed that even paintings one should represent the reality as close as one can.
C、No, they do not, because for Chinese people painting was almost like a magic power that may change our daily reality.
D、Yes, because they are good at observing and imitating the shape of the real world. Thus they always strive for perfection in paintings.
A.No, they do not, because for Chinese people painting was almost like a magic power that may change our daily reality.
B.No, they do not, because Daoists do not believe in the importance of daily reality, and try to escape from by drawing imaginary paintings.
C.Yes, because they are good at observing and imitating the shape of the real world. Thus they always strive for perfection in paintings.
D.Yes, they do, because Confucianism strongly influenced the art of painting, and they being very pragmatical believed that even paintings one should represent the reality as close as one can.
A、Yes, they do, because Confucianism strongly influenced the art of painting, and they being very pragmatical believed that even paintings one should represent the reality as close as one can.
B、No, they do not, because Daoists do not believe in the importance of daily reality, and try to escape from by drawing imaginary paintings.
C、No, they do not, because for Chinese people painting was almost like a magic power that may change our daily reality.
D、Yes, because they are good at observing and imitating the shape of the real world. Thus they always strive for perfection in paintings.
A、The literati painting is the ideal form of Chinese scholar painters.
B、The painters integrated Western painting techniques into traditional Chinese painting.
C、From this period,the painters began to writer poems on their paintings and integrated.
D、The painters integrated poetry,calligraphy and painting together.
For traditional Chinese painters, fame and fortune come late, and it is ()for artists to hold their first exhibitions when they are over seventy years old.
A、hardly common
B、less frequent
C、not unheard of
D、just usual
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