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提问人:网友xsheep 发布时间:2022-01-06
[主观题]

He resolutely ______ to what he had said at the meeting: he had not changed his mind in an

y way.

A.catered

B.adhered

C.ascribed

D.complied

简答题官方参考答案 (由简答题聘请的专业题库老师提供的解答)
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更多“He resolutely ______ to what he had said at the meeting: he had not changed his mind in an”相关的问题
第1题
1. “The Bible,” he thundered in his sonorous organ...

1. “The Bible,” he thundered in his sonorous organ tones, “is not going to be driven out of this court by experts who come hundreds of miles to testify that they can reconcile evolution, with its ancestors in the jungle, with man made by God in His image and put here for His purpose as par t of a divine plan.” 2. Now Darrow sprang his trump card by calling Bryan as a witness for the defence. Resolutely Bryan strode to the stand, carrying a palm fan like a sword to repel his enemies. 3. “Today it is the teachers,” he continued, “and tomorrow the magazines, the books, the newspapers. After a while, it is the setting of man against man and creed against creed until we are marching backwards to the glorious age of the sixteenth century when bigots lighted faggots to burn the men who dared to bring any intelligence and enlightenment and Culture to the human mind.”

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第2题
resolutely

A.Absolutely.

B.Unclearly.

C.Resolutely.

D.Doubtfully.

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第3题
LOLL:A.depict accuratelyB.perceive incidentallyC.move vigorouslyD.conform. easilyE.perform

LOLL:

A.depict accurately

B.perceive incidentally

C.move vigorously

D.conform. easily

E.perform. resolutely

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第4题
Which of the following is a factor that contributes to Bush's popularity among the America
n public?

A.Bush started the Iraqi war resolutely, supported by allies.

B.Bush insisted that the Iraqi war was part of the war against terrorism.

C.Bush has taken a tough line on national security issues.

D.Bush maintained that the United States would win the Iraqi war.

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第5题
Since the mid-1970s, when it became clear that the number of births was resolutely declini
ng, Japanese governments have made efforts to encourage people to have more babies. But for all that they have increased child benefits and provided day-care centres in the past 30 years, the birth rate has remained stubbornly low.One reason is that in Japan, unlike in the West, marriage is still more or less a prerequisite for having children.Only 2% of births take place out of wedlock. And weddings cost a lot of money. The more elaborate sort may involve renting a chocolate-box “church” and hiring or buying at least three bridal outfits.

Having gone to all that trouble, married couples do, in fact, have an average of slightly more than two children, just above what is needed for births to exceed deaths. ① The trouble is that fewer and fewer people get married. Women wait ever longer and increasingly do not bother at all. According to the NIPSSR, six out of ten women in their mid-to-late 20s, which used to be the peak child-bearing age, are still unwed. ②

But the cost of weddings may be the least of the reasons why the Japanese are increasingly putting off marriage or avoiding it altogether. One weightier one is that employment rates among women have increased but private companies implicitly discourage mothers from returning to their old jobs.Toshiaki Tachibanaki, an economist who has written on inequality among Japanese women, finds that about 80% of female civil servants return to their old jobs after having children because they get reasonable maternity benefits and help with childcare. ③ But in private companies they are typically less well looked after, and only about a third go back to work.

It does not help that unemployment is high and incomes are low among the young-especially among young men, who increasingly give up even looking for jobs. One of Japan's most prominent sociologists, Masahiro Yamada of Chuo University, thinks that most young Japanese women still want to be housewives, but are struggling to find a breadwinner who earns enough to support them. ④ He points out that half the young people of prime marrying age—20-34—still live with their parents. In the 1990s he coined the term "parasite singles" to describe them. They seemed to be getting a good deal, saving money on rent and spending it on foreign travel and luxury goods instead. If they wanted privacy, they could always go to one of Japan's ubiquitous love hotels.

阅读以上文章,回答 97~101 题

第 97 题 The word “prerequisite”in Paragraph One probably means __________.

[A] premise

[B] requirement

[C] restriction

[D] result

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第6题
It was late in the afternoon, and I was putting the final touch on a piece of writing that
I was feeling pretty good about. I wanted to save it, but my cursor had frozen. I tried to shut the computer down, and it seized up altogether. Unsure of what else to do, I yanked(用力猛拉) the battery out.

Unfortunately, Windows had been in the midst of a delicate and crucial undertaking. The next morning, when I turned my computer back on, it informed me that a file had been corrupted and Windows would not load. Then, it offered to repair itself by using the Windows Setup CD.

I opened the special drawer where I keep CDs. But no Windows CD in there. I was forced to call the computer company's Global Support Centre. My call was answered by a woman in some unnamed, far-off land. I find it annoying to make small talk with someone when I don't know what continent they're standing on. Suppose I were to comment on the beautiful weather we've been having when there was a monsoon at the other end of the phone? So I got right to the point.

"My computer is telling me a file is corrupted and it wants to fix itself, but I don't have the Windows Setup CD".

"So you're having a problem with your Windows Setup CD". She has apparently been dozing and, having come to just as the sentence ended, was attempting to cover for her inattention.

It quickly became clear that the woman was not a computer technician. Her job was to serve as a gatekeeper, a human shield for the technicians. Her sole duty, as far as I could tell, was to raise global stress levels.

To make me disappear, the woman gave me the phone number for Windows' creator, Microsoft. This is like giving someone the phone number for, I don't know, North America. Besides, the CD worked; I just didn't have it. No matter how many times I repeated my story, we came back to the same place. She was calm and resolutely polite.

When my voice hit a certain decibel(分贝), I was passed along, like a hot, irritable potato, to a technician.

"You don't have the Windows Setup CD, ma'am, because you don't need it", he explained cheerfully. "Windows came preinstalled on your computer!"

"But I do need it".

"Yes, but you don't have it". We went on like this for a while. Finally, he offered to walk me through the use of a different CD, one that would erase my entire system. "Of course, you'd lose all your e-mail, your documents, your photos". It was like offering to drop a safe on my head to cure my headache. "`You might be able to recover them, but it would be expensive". He sounded delighted. "And it's not covered by the warranty(产品保证书)"! The safe began to seem like a good idea, provided it was full.

I hung up the phone and drove my computer to a small, friendly repair place I'd heard about. A smart, helpful man dug out a Windows CD and told me it wouldn't be a problem. An hour later, he called to let me know it was ready. I thanked him, and we chatted about the weather, which was the same outside my window as it was outside his.

Why did the author shut down her computer abruptly?

A.She had saved what she had written.

B.She couldn't move the cursor.

C.The computer refused to work.

D.The computer offered to repair itself.

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第7题
Read the article below about cultural differences between Japanese and American managers.C

Read the article below about cultural differences between Japanese and American managers.

Choose the best sentence to fill in each of the gaps

For each blank 8—12, mark one letter (A—G) on your Answer Sheet.

Do not use any letter more than once.

There is an example at the beginning.

Do It My Way

Cultural differences between Japanese and American managers have presented the biggest obstacle to Japanese companies investing in America.

A seminar for Japanese executives working in America was attended by 25 men, B Despite the room's stifling heating system, they resolutely refused to remove their jackets. Their coffee break lasted exactly the scheduled ten minutes. They did not ask any questions until after they had got to know one another a bit better at lunch. They were usually deferential and always polite.

A similar seminar for 25 Americans working for Japanese subsidiaries in America included eight women. (8)…A ten-minute coffee break stretched beyond 20 minutes. Participants asked questions and several aggressively contradicted what the speakers had to say.

According to Mr Thomas Lifson of Harvard and Mr Yoshihiro Tsurumi of New York's Baruch Colleague—the two main speakers at both seminars—misunderstandings between Japanese and American managers are possible at nearly every encounter. They can begin at the first recruiting interview. A big American company typically hires people to fill particular slots. Its bosses know that Americans are mobile people, who have a limited commitment to any particular employer or part of the country. (9)…American firms hire and hire almost at will.

The assumptions (and the expectations) of the Japanese managers of Japanese subsidiaries in America could hardly be more different. (10)…

American managers rely heavily on number-packed memoranda and the like. The Japanese colleagues prefer informal consultations which lead eventually to a consensus. According to Mr Tsurumi, they find comical the sight of American managers in adjacent offices exchanging memos.

Confronted with a dispute between middle managers (11)… expecting the managers themselves to

resolve the issue. The Americans conclude, wrongly, that their Japanese bosses are indecisive or incompetent. Japanese managers do not share the American belief that conflict is inevitable, and sometimes health-y. They want to believe that (12)…

A Several of the men removed their jackets after entering the room.

B nearly all of them in identical dark suits.

C However, I believe I'm qualified for this position.

D most Japanese superiors refuse to become involved.

E They value the skills joining the company rather than their existing skills.

F employees form. one big happy family.

G Jobs are clearly defined and so are skills needed to fill them.

(8)

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第8题
The rain still fell in a silent gray sheet when Do...

The rain still fell in a silent gray sheet when Dorothy opened her bedroom curtains to peer outside. "Another gray day, gray and gloomy," she muttered, though really the rain was more than welcome after last year's drought. "Old and gray and gloomy, just like me," she added to herself, though it wasn't exactly true. Her hair wasn't completely gray, and she was only in her mid-fifties, middle-aged really, she knew. And usually she acted younger than her years, if anything. She could still do all the work she'd ever done - keep the house going, plant and weed the garden, drive the truck when needed - though maybe she wasn't as speedy at some tasks, as she once was. And Tim, her son, did suggest a couple of years ago, that she needn't bother to drive the tractor anymore. But that was because it wasn't really necessary, anyway, it wasn't because she was getting old. So why, all of a sudden, did she feel old? "Blame it on the rain," she muttered. But, watching through the window as Tim hurried through the downpour from pig barn to cattle shed, she knew the answer. She'd known it last night, of course, after the blow up with Jenny, Tim's wife. Oh, it hadn't been a real blow up, just an argument over where to plant the garden. Jenny wanted it close to the house, so she could work there once the baby was born. Dorothy argued that the closest garden patch needed fallowing. They'd left the decision to Tim, who sided with Jenny, and Dorothy stumped off to bed at 8.30 p.m., feeling old and lonely, and missing Steve as she hadn't missed him for a long time. Steve - Dorothy's husband - had died ten years ago, when Tim was just twenty. Tim had quit his agriculture course at the university and come home to work the farm, toiling like a Trojan to pay off the debts his father left. Dorothy worked alongside him, in the beginning, until he proved himself; then gradually she relinquished more of the work to him and concentrated on her garden and flowers, and the housework. Things didn't change much when Tim married Jenny two years ago. Dorothy wondered, in the beginning, how the arrangement would work out, for she stayed in the house and Jenny just moved in. It couldn't have been easy for Jenny, Dorothy knew that, to move into your mother-in-law's house and let her run your life. But there hadn't been much change, really. Everybody adapted. Jenny worked at the potato plant in town, and kept her job. Dorothy surrendered some of the housework to her, and occasional meals, but she still did most of the day-to-day household running. Jenny either worked days, or slept, depending on her shifts at the plant. Most often she worked nights and slept until four or so. The washing was still Dorothy's responsibility, and the garden work and the flower beds. She still drove dinner out to the fields for Tim, and sometimes she drove the truck, during harvest or spring work. She wasn't ready to retire yet! "But it looks like I'll have to," she murmured, turning away from the window to dress. "Last night was just the tip of the iceberg. The rest will show up soon." Things were changing now. Tim and Jenny's baby was due in two months, and last week Jenny stopped working at the potato plant. "I can't take all the bending any longer," she said. "And anyway, I need time to get things ready for the baby." She'd been home now, full time, for a week. She'd prepared all the meals during that time, and driven Tim's dinner out to him in the west field for the last two days. Last night she'd announced new plans for the garden, and that's when the argument developed. "I'm redundant," Dorothy thought, then realized she was speaking out loud. "A relic on this farm. They don't need me here anymore." Not that anything had been said to that effect. There had been no suggestions that she should move out and leave the house to them. But they must be thinking that, weren't they? The house was small, with only two bedrooms and the study. Originally, of course, she and Steve had planned the study to be a third bedroom. But when Tim was their only child, the study was created instead. Now, Tim and Jenny planned to change it into a baby's room. But she'd noticed Jenny's glance in the direction of her own bedroom. If Dorothy didn't occupy it, then the baby could. And what a pity it was to reconvert the study, with all its space for Tim's farm records. The kitchen was small, too, for a farm kitchen. Too small for two women to work there all the time. They'd be in each other's way, Dorothy knew that. How would they ever manage at canning time? She sighed, and turned back to look outside once more. A few yards away, the lilacs hung heavy in the rain. She could almost smell them, though her window was shut. While she watched, Tim made a dash for the house, splashing through large puddles as he ran. It must have been pouring all night. Surprisingly, she'd slept, though her mind was churning when she went to bed. There was only one possible solution, she had decided: to move out, move into town and establish a new life. Life was full of changes, and this would be one of them. She'd adapted after Steve's death, and after Tim's marriage; she could do it again. There were a couple of houses available in town, she knew, small houses suitable for a middle-aged widow who didn't need much space. And there were suites available, if she could stand living in an apartment without a yard or garden. The solution was there. And yet - to leave the farm where she'd spent the last thirty years? To leave these fields and pastures where she'd worked first with Steve, later with Tim? To leave behind the poplar grove where she liked to bird-watch; the small creek where she and Steve walked, in younger years, and made their plans; the swimming hole where Steve taught Tim to swim? How could she leave these memories behind? Opening the curtains wider, to let in what light there was, she turned and went out to the kitchen. Tim and Jenny were there, Tim working on his usual big breakfast, Jenny relaxing with a cup of coffee. Dorothy saw the look that passed between them as she came out. What were they planning? Had they decided to ask her to move? To leave the farm? Well, she'd fool them. She'd have her say first! "Coffee, Mom?" Tim asked, and poured her a cup without waiting for a reply. He knew her habits well. "Thank you," she grunted, settling into her chair. Then, the decision made, she looked at him sharply. "I guess we have to talk, don't we? There have to be some changes made here, don't there?" "Mom, please," Tim interrupted. "About last night, we're sorry. We weren't thinking properly. With the baby and all, you'll probably be doing most of the garden work still. So we'll leave the garden up to you. Where it is and what you want to plant. You'll be officially in charge, Garden Manager, if that's okay." Dorothy closed her mouth, the wind gone from her sails for a moment. Then she squared her shoulders and started again. "But the garden's not all, is it? Let's face it. Around here, I won't be needed anymore. More than that. In this house, I’m in the way." "Mother -" Tim started, but she spoke above him. "The way I see it, the answer is for me to move into town, give you and Jenny the house, and a life of your own without your mother always looking over your shoulder. And I'll make a new life for myself." Abruptly she stopped, took a gulp of coffee, though it was almost too hot, and stared out the window at the rain. For a few minutes silence reigned. Then Tim spoke again. "Is that really the way you want it, Mother? If it is, okay. But I don't believe it is. I think you're making a sacrifice because you think that's what we want. And you don't have to, you know. It's not necessary." He paused to chew on his toast for a moment but Dorothy didn't answer. "We have another idea, Mom," Jenny said quietly, hesitatingly. "If you don't like it, say so. But we'd like to tell you." "Say what you want," Dorothy grunted. She knew she sounded old and crabby. She didn't want to sound like that. It just came out that way. "Jenny and I," Tim began, "we know it isn't easy for you with another woman in your house. But we don't want you to leave. We need you here, even if you don't realize it. We'll need you more, once the baby comes. We'll need you to help babysit, if Jenny is working with me. Or we'll still need you to help me, if Jenny is busy with the baby." He paused. "But we have another idea." Dorothy turned away from the window where she'd been staring resolutely at the rain, and looked at him. He looked so much like Steve when he set his chin in that determined way. "Jenny and I went to look at a trailer that Jim Briscoe is selling. We thought maybe we'd buy it and move it into the yard here for us. Only, it's small. Not really big enough for us, with the baby and all. So, well, we wondered, what about using the trailer for you?" "We could set it up on the other side of the lilac bushes," Jenny broke in. "It would be a little closer to the garden, and you could still have your own piece of land and flower beds." "You'd be close to us, but not with us," Tim said. "I know this is your house, and if you don't like that idea, well," he shrugged, "we could look for a bigger trailer for ourselves, and you could still stay here. But we don't want you moving to town, leaving the farm, unless that's what you want." He stopped abruptly, as though he had run out of words, and turned back to his breakfast. There was a long silence, broken only by the patter of rain on the window. There must be a wind starting up, Dorothy thought momentarily. And it's blown a weight off my shoulders. Then, through the sudden lump in her throat, she spoke. "I like the idea fine, Tim. And Jenny. When can I look at the trailer to see what I'll need?" She smiled, hoping they wouldn't notice the moisture in her eyes. "Better wait until this rain stops and things dry up a bit," Tim said. "We don't want to track it up with mud. It's just newly painted." "What rain?" asked Dorothy, the day's gloom suddenly gone. "What rain?" 1. How did Dorothy feel about herself at the beginning of the story?

A、She felt old and lonely.

B、She felt she was capable and strong.

C、She felt she acted older than her years.

D、She felt she was speedy.

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第9题
Just over 10 years ago, Ingmar Bergman announced that the widely acclaimed Fanny and Alexa
nder would mark hi, last hurrah as a filmmaker, Although ,some critics had written him off as earnest but ponderous, others were saddened by the departure of an artist who had explored cinematic mood, -- from high tragedy to low comedy = during his four-decade career.

What nobody foresaw. that Bergman would find a variety of way, to circumvent his own retirement director television movies, tailing theater production, and writing screenplay, for other filmmakers to direct, Hi, latest enterprise as a screenwriter, Sunday', Children, complete, a trilogy of family-oriented movie, that began with Fanny and Alexander and continued with The Best Intentions written by Batsman and directed by Danish filmmaker Bille August,

Beside, dealing with member, of Bergman’s family in bygone times - it begins a few years after The Best Intentions leaves off- the new picture was directed by Daniel Batsman, his youngest son, Although it lacks the urgency and originality of the elder Bergman’s greatest achievements, such as The Silence and Potions, it has enough visual and emotional interest to make a worthy addition to his body of work,

Set in rural Sweden during the late 1920s, the story centers on a young, boy named Pa, clearly modeled on Ingmar Bergman himself. Pu's father is a country clergyman whose duties include traveling to the capital and ministering to the royal family, While this is an enviable position, it doesn’t assuage problems in the pastor’s marriage, Pu’s young enough to be fairly oblivious to such difficulties, but his awareness grows with the passage of time, So do the subtle tensions that mar Pu’s own relationship with his father, whose desire to show affection and compassion is hampered by a certain stiffness in his demeanor and chilliness in his emotions.

The film’s most resonant passages take place when Pu learns to see his father with new clarity while accompanying him on a cross-country trip to another parish. In a remarkable change of tone, this portion of the story is punctuated with .flash-forwards to a time 40 years in the future, showing the relationship between parent and child to be dramatically re versed: The father is now cared for by the son, and desires a forgiveness for past shortcomings that the younger man resolutely refuses to gram.

Brief and abrupt though they are, these scenes make a pungent contrast with the sunny landscapes and comic interludes in the early part of the movie.

Sunday’s Children is a film of many levels, and all are skillfully handled by Daniel Batsman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise. While the more nostalgic sequences are photographed with an eye-dazzling beauty that occasionally threatens to become cloying, any such result is foreclosed by the jagged interruptions of the flash-forward sequences--an intrusive device that few filmmakers are agile enough to handle successfully, but that is put to impressive use by the Bergman team.

Henrik Linnros gives a smartly turned performance as young Pu, and Thommy Berggren - who starred in the popular Elvira Madison years ago - is steadily convincing as his father. Top honors go to the screenplay, though, which carries the crowded canvas of Fanny and Alexander and the emotional ambiguity of The Best Intentions into fresh and sometimes fascinating territory.

Over the years critical views of Bergman's work have ______.

A.without exception been positive

B.deplored his seriousness

C.often been antithetical

D.usually focused on his personality

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