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提问人:网友chjiwa 发布时间:2022-01-07
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An eccentric is by definition someone whose behaviour is abnormal, someone who refuses to

conform. to the accepted norms of his society. This, of course, immediately begs the question, "What is normal?" Most of us, after all, have our quirks and oddities. It may be a passion for entering newspaper competitions, a compulsion for collecting beer mats, a tendency to write indignant letters to the press on every conceivable subject. Eccentricity is the assertion of our individuality. Within most of us that urge is constantly in conflict with the contrary force. It is as though in the depths of our psyche we have two locomotives head-to-head on the same track, pushing against each other. One is called individualism and the other conformity and in most of us it is conformity that is the more powerful. The desire to be accepted, loved, appreciated, to feel at one with our fellows, is stronger than the desire to stand out in the crowd, to be our own man, to do our own thing.

Notice, for example, how people who have unusual hobbies, strong opinions, or unconventional behaviour, tend to congregate. They form. clubs, hold meetings, and organise rallies where they can get together and discuss their common enthusiasms or problems. The important word is "common". They look for other people with whom they can share what in the normal run of events is regarded by relatives, friends and neighbours as an oddity. A crowd, even a small crowd, is reassuring.

Probably all of us recognise a tension within ourselves between the two forces of individualism and conformity, for at the same time that most of us are going with the crowd, we tend to resent any suggestion that this is what we are doing. We feel a self-conscious need to assert our individuality as when the belligerent man at the bar informs his small audience, "Well, I say what I think." Or the wary stranger to whom we have just been introduced announces, "You must take me as you find me. I don't stand on ceremony."

Any of us can, at any time, reverse this trend. We can stoke the boiler of individualism, assert our own personality. Many people have made it to the top in their chosen professions, basically by doing just that. One example is Bob Dylan, the American singer, who has gone on record as saying, "When you feel in your gut what you are doing and then dynamically pursue it— don't back down and don't give up—then you're going to mystify a lot of folk." But that self conscious assertion of individuality is not eccentricity, at least not in the early stages. When a pop singer deliberately wears bizarre clothes to gain publicity, or a society hostess makes outrageous comments about her guests in order to get herself noticed in the gossip columns, that is not eccentricity. However, if the pop star and the society hostess perpetuate such activities until they become a part of themselves, until they are no longer able to return to what most of us consider 'normal behaviour', then they certainly would qualify. For the most important ingredient of eccentricity is its naturalness. Eccentrics are not people who deliberately try to be odd, they simply are odd.

The true eccentric is not merely indifferent to public opinion, he is scarcely conscious at all. He simply does what he does, because of who he is. And this marks the eccentric as essentially different from, for example, enthusiasts, practical jokers, brilliant criminals, exhibitionists and recluses. These people are all very conscious of the world around them. Much of what they do, they do in reaction to the world in which they live. Some wish to make an impression on society, some wish to escape from society, but all are very much aware of society. The eccentric alone goes on his merry way regardless.

According to the writer, eccentric people ______.

A.want to show that they are different

B.try to do what is expected of them.

C.express their own views in public

D.pretend to be something they are not

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B、Safety deposit box

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A、GA and auxin

B、Cytokinin and auxin

C、Ethylene and cytokinin

D、GA and ABA

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第4题
A.One week.

B.Two weeks.

C.Three weeks.

D.Four weeks.

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第5题
A.Play cards with your friends.

B.Try to name by means of intense concentration an object placed in the next room.

C.Guess who the caller is before picking up the receiver.

D.Think about a friend you haven't seen or heard for a long time.

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第6题
A.He can see what is in the next room.

B.He knows what another person is thinking.

C.He can predict the future.

D.All of the above.

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第7题
More than ten years ago, Ingmar Bergman announced that the widely acclaimed Fanny and Alexander would mark his last hurrah as a filmmaker. Although some critics had written him off as earnest but ponderous, others were saddened by the departure of an artist who had explored cinematic moods—from high tragedy to low comedy—during his four-decade career.

What nobody foresaw was that Bergman would find a variety of ways to circumvent his own retirement—directing television movies, staging theater productions, and writing screenplays for other filmmakers to direct. His latest enterprise as a screenwriter, Sunday's Children, completes a trilogy of family-oriented movies that began with Fanny and Alexander and continued with The Best Intentions written by Bergman and directed by Danish filmmaker Bille August.

Besides dealing with members of Bergman's family in bygone times—it begins a few years after The Best Intentions leaves off—the new picture was directed by Daniel Bergman, his youngest son. Although it lacks the urgency and originality of the elder Bergman's greatest achievements, such as The Silence and Persona, it has enough visual and emotional interest to make a worthy addition to his body of work.

Set in rural Sweden during the late 1920s, the story centers on a young boy named Pu, dearly modeled on Ingmar Bergman himself. Pu's father is a country clergyman whose duties include traveling to the capital and ministering to the royal family. While this is an enviable position, it doesn't assuage problems in the pastor's marriage. Pu is young enough to be fairly oblivious to such difficulties, but his awareness grows with the passage of time. So do the subtle tensions that mar Pu's own relationship with his father, whose desire to show affection and compassion is hampered by a certain stiffness in his demeanor and chilliness in his emotions.

The film's most resonant passages take place when Pu learns to see his father with new clarity while accompanying him on a cross-country trip to another parish. In a remarkable change of tone, this portion of the story is punctuated with flash-forwards to a time 40 years in the future, showing the relationship between parent and child to be dramatically reversed: The father is now cared for by the son, and desires a forgiveness for past shortcomings that the younger man resolutely refuses to grant.

Brief and abrupt though they are, these scenes make a pungent contrast with the sunny landscapes and comic interludes in the early part of the movie.

Sunday's Children is a film of many levels, and all are skillfully handled by Daniel Bergman in his directional debut. Gentle scenes of domestic contentment are sensitively interwoven with intimations of underlying malaise. While the more nostalgic sequences are photographed with an eye-dazzling beauty that occasionally threatens to become cloying, any such result is foreclosed by the jagged interruptions of the flash-forward sequences—an intrusive device that few filmmakers are agile enough to handle successfully, but that is put to impressive use by the Bergman team.

Henrik Linnros gives a smartly turned performance as young Pu, and Thommy Berggren—who starred in the popular Elvira Madigan years ago—is steadily convincing as his father. Top honors go to the screenplay, though, which carries the crowded canvas of Fanny and Alexander and the emotional ambiguity of The Best Intentions into fresh and sometimes fascinating territory.

Bergman completed a trilogy of family-oriented movies during______.

A.more than ten years

B.the bygone times

C.the late 1920s

D.his own retirement

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第8题
In the reviewer's opinion, Sunday's Children______.

A.is a cinematic first

B.has an original and interesting script

C.is visually and emotionally depressing

D.surpasses Bergman's previous work

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第9题
A.In making children see things immediately and to the point.

B.In training children to follow automatically the rules already given.

C.In getting children to learn things that require their steady efforts.

D.In keeping children quiet, determined and not making jumps.

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